If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Memoir Writing II
GUIDE TO NONFICTION COURSES
Nonfiction Pathways
Foundation
If you’re not sure what kind of nonfiction to write...
If you know what kind of nonfiction to write...
Memoir I
Essay & Opinion Writing
Feature Article Writing
Blog & Newsletter Writing
Travel Writing
Food Writing
Or...
If you want a rather short course...
Memoir Intensive
Flash Fiction & Nonfiction
Personal Essay Writing
Feature Article Writing Intensive
Humor Writing Intensive
Blog & Newsletter Writing Intensive
Next Steps
After completing a Level I ten-week course...
After completing Memoir II, if you want to write a book...
Selling Your Work
If you hope to get published somewhere...
Also Helpful
These essential courses are great for writers of any level.
Memoir Writing II is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. The prerequisite is Memoir I (10-week), or the equivalent; Level II courses work best when students know the fundamentals and have experience with the workshop process. Farther down, you can view a syllabus for this course.
Every life holds many tales. Whether your life is wildly unconventional or relatively normal, there’s bound to be something fascinating about it. That’s why the contemporary memoir—everyday people telling their stories—has become such a popular phenomenon. A memoir covers an aspect of a life, whether it’s a short piece about, say, a bicycle ride with a friend, or a book about, say, your entire childhood.
To make readers care, your memoir must be told with the finesse of fiction. Here you’ll learn techniques for focusing your life stories, as well as writing craft and how to market your work.
Whether you seek to write essay-length pieces or a book, we’ll show you how to best tell the stories from your life.
This class was a wonderful mix of lecture, assignments, exchanges, and critiques. I've learned so much. My technique has improved, and I will continue to refer to the lectures as I write my memoir.
Deborah Lehman
freelance journalist
Notes
A memoir is similar to a personal essay; both incorporate elements from the writer’s life. But a personal essay focuses more on the viewpoint, and a memoir focuses more on the story. Gotham also offers courses on Essay & Opinion Writing and an Intensive on Personal Essay Writing.
Upcoming Classes
NYC COVID Info
10-Week
-
Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
-
Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
-
One-on-One
Tuition: $1,895
Syllabus
This course helps you sharpen your skills at memoir craft and work toward completion of one or two short memoirs or a book. Writers often repeat Memoir II to continue their projects. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Starring You: Putting yourself at the center. Creating a persona. Ways to reveal yourself on paper. Your distinctive voice.
Week 2
Describing Your Life: Conveying your view of things. How quick or lingering your views should be. Effective description.
Week 3
Story Construction: Story devices—desire/change, inciting incident/climax. The single event story. The chronological story. The collage story. Techniques for putting the story together.
Week 4
Action & Reflection: Finding the balance of action and reflection. Using action—scene and narration. Using reflection—present and past perspectives. Broader reflection. Blending action and reflection.
Week 5
Going Short: The really short memoir. Finding ideas. Short piece, big meaning. Analysis of a really short piece.
Week 6
Making Scenes: The importance of scenes. Veracity. Connecting scenes. Scene dynamics—conflict, dialogue, direction.
Week 7
Alternative Strategies: Alternative forms of memoir. Memoirs that don't just focus on you. Family history. Not first person. Unusual forms. Not just prose. The deliberate experiment. Memoir hybrids. Autobiographical fiction/fictional memoir.
Week 8
Openings/Closings: Strategies for opening a memoir. Strategies for closing a memoir.
Week 9
Humor: Using humor in memoir. Funny situations. Human folly. Writing humor. Exaggeration.
Week 10
In Print: The benefit of publishing short pieces (even if you're writing a book). Literary magazines. Mainstream and niche magazines. Newspapers. Guidelines for sending out work. Responses, rejection, contests. Other avenues to publication.
Note: Content may vary among individual classes.
Teachers
Cindy House
Cindy House is the author of the memoir Mother Noise (Scribner/Marysue Rucci Books), and her essays and short fiction have appeared in Passengers Journal, Lily Poetry Review, Wig Leaf, Solstice Literary Magazine, Longleaf Review, and So To Speak, among others. She is a humorist who opens regularly for David Sedaris at Kennedy Center, Symphony Hall, and The Town Hall in New York, among others. She teaches in the MFA program at Lesley University. She attended the School of the Art Institute in Chicago and holds an MFA in Fiction from Lesley University.
Read more
Kelly Caldwell
Kelly Caldwell is the dean of faculty at Gotham Writers Workshop. Her nonfiction has appeared in Vox, House Beautiful, SugarSugarSalt, Pacific Standard, New York Newsday, Time Out New York, The Writer, and Essay Daily, and been named Notable by the editors of the Best American Essays series. She's also been anthologized in If These Walls Could Talk: Thoughts of Home (Hearst) and Getting to the Truth: The Craft and Practice of Creative Nonfiction (Hippocampus Books). She holds a BJ from the University of Missouri and an MS from Columbia University.
Read more
Nan Mooney
Nan Mooney is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.
Read more
Stacy Pershall
Stacy Pershall is the author of the memoir Loud in the House of Myself (W.W. Norton), selected for the Barnes and Noble Discover Great New Writers Program, and her work is included in the anthologies Lost and Found (W.W. Norton) and Spent (Seal Press). She has taught at Writopia, Pratt Manhattan, City College of New York, and the Johns Hopkins Center for Talented Youth. She holds a BA from the University of Arkansas and an MFA in Performance Art from the University of Cincinnati.
Read moreCindy House
Cindy House
is the author of the memoir Mother Noise (Scribner/Marysue Rucci Books), and her essays and short fiction have appeared in Passengers Journal, Lily Poetry Review, Wig Leaf, Solstice Literary Magazine, Longleaf Review, and So To Speak, among others. She is a humorist who opens regularly for David Sedaris at Kennedy Center, Symphony Hall, and The Town Hall in New York, among others. She teaches in the MFA program at Lesley University. She attended the School of the Art Institute in Chicago and holds an MFA in Fiction from Lesley University.
Kelly Caldwell
Kelly Caldwell
is the dean of faculty at Gotham Writers Workshop. Her nonfiction has appeared in Vox, House Beautiful, SugarSugarSalt, Pacific Standard, New York Newsday, Time Out New York, The Writer, and Essay Daily, and been named Notable by the editors of the Best American Essays series. She's also been anthologized in If These Walls Could Talk: Thoughts of Home (Hearst) and Getting to the Truth: The Craft and Practice of Creative Nonfiction (Hippocampus Books). She holds a BJ from the University of Missouri and an MS from Columbia University.
Nan Mooney
Nan Mooney
is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.
Stacy Pershall
Stacy Pershall
is the author of the memoir Loud in the House of Myself (W.W. Norton), selected for the Barnes and Noble Discover Great New Writers Program, and her work is included in the anthologies Lost and Found (W.W. Norton) and Spent (Seal Press). She has taught at Writopia, Pratt Manhattan, City College of New York, and the Johns Hopkins Center for Talented Youth. She holds a BA from the University of Arkansas and an MFA in Performance Art from the University of Cincinnati.
Related Courses
Essay & Opinion Writing I
Various types of viewpoint writing—essays, op-eds, reviews, and more.
Humor Writing
Prose writing with a humorous slant—fiction, memoir, essay, you name it.
Creative Nonfiction 101
A great entry point for the creative forms of nonfiction—memoir, essay, feature articles, reviews, etc.
