Essay & Opinion Writing I
GUIDE TO NONFICTION COURSES
Essay & Opinion Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Do you enjoy sharing your viewpoints? What do you think of, say, global warming or the latest water-cooler TV show or the forgotten value of handkerchiefs? No topic is too major or minor to warrant exploration. There are many places to air your views—magazines, newspapers, websites, blogs, books, newsletters—and many forms to encapsulate them.
People will be eager to hear you out…if you know how to elucidate your thoughts better than the average loudmouth on the bus. Here you’ll learn about the leading forms of viewpoint writing—personal essay, lyric essay, op-eds, reviews, and others—as well as writing craft and how to market your work.
Whatever you have to say, we’ll show you how to say it effectively and compellingly.


It pushed me to get over some of my fears associated with submitting essay-style pieces and think through ways to improve. my writing.
Blakeley Decktor
human rights attorney
Notes
A personal essay is similar to a memoir; both incorporate elements from the writer’s life. But a personal essay focuses more on the viewpoint, and a memoir focuses more on the story. Gotham also offers courses on Memoir Writing and an Intensive on Personal Essay Writing.
Upcoming Classes
More Covid details
10-Week
-
Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
-
Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
-
One-on-One
Tuition: $1,795
Syllabus
This course gives you a firm grounding in the basics of essay/opinion writing craft and gets you writing an essay or opinion piece (or two). Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Essay & Opinion Writing: The different forms of essay and opinion writing—personal essays, reviews, op-eds, persuasive essays, exploratory essays, lyric essays. Creative nonfiction structure—lede, nut graf, body, kicker. The basics of framing.
Week 2
Purpose and Meaning: Your point (and you do have one). Finding an essay’s guiding principle. The role of theme in creative nonfiction.
Week 3
Description: Putting the “creative” in creative nonfiction. Finding the right word. The art of selection.
Week 4
Voice: Elements of voice. Role of voice in essay writing. Finding your writer’s voice.
Week 5
Personal Essay: Blending the personal and universal. Using your experience to shed light on a larger subject.
Week 6
Review Writing: Structure of reviews. Balancing honesty with mutual regard.
Week 7
Op-Ed/Persuasive Essay: Logic in creative writing. The art of persuasion.
Week 8
Reported/Exploratory/Lyric Essays: Reported—narrative nonfiction using style, dialogue, and description. Exploratory—essays that begin with a question. Lyric—nonfiction that experiments with rhythm, sound, and syntax.
Week 9
Revision: The art of revision.
Week 10
The Business: Finding the right market. Making your pitch.
Note: Content may vary among individual classes.
Teachers
Angie Chatman
Angie Chatman has published essays and short fiction in Taint, Taint, Taint, Pangyrus, the Rumpus, Blood Orange Review, Hippocampus, and Insider, among others. She has told stories on The MOTH, StoryCollider, and Stories from the Stage (The World Channel). She has taught for the Boston Public Library and the University of Hartford. She holds an MBA from MIT-Sloan, and an MFA in Fiction and Creative Nonfiction from Queens University of Charlotte.
Read more
Jessica Ogilvie
Jessica Ogilvie has published articles and essays in Los Angeles Magazine, Playboy, the Washington Post, the New York Times, Dame, Condé Nast Traveler, LAist, Vice, Good, and the Hairpin, among others, and her work has been anthologized in Little America: Incredible True Stories of Immigrants in America. She has worked as a contributing editor at Playboy, a contributing writer at Los Angeles Magazine, and a section editor at LA Weekly. She has taught for 826LA. She holds a BA from New York University and an MFA from Bennington College.
Read morehas published essays and short fiction in Taint, Taint, Taint, Pangyrus, the Rumpus, Blood Orange Review, Hippocampus, and Insider, among others. She has told stories on The MOTH, StoryCollider, and Stories from the Stage (The World Channel). She has taught for the Boston Public Library and the University of Hartford. She holds an MBA from MIT-Sloan, and an MFA in Fiction and Creative Nonfiction from Queens University of Charlotte.

has published articles and essays in Los Angeles Magazine, Playboy, the Washington Post, the New York Times, Dame, Condé Nast Traveler, LAist, Vice, Good, and the Hairpin, among others, and her work has been anthologized in Little America: Incredible True Stories of Immigrants in America. She has worked as a contributing editor at Playboy, a contributing writer at Los Angeles Magazine, and a section editor at LA Weekly. She has taught for 826LA. She holds a BA from New York University and an MFA from Bennington College.