Memoir Writing II BookGUIDE TO NONFICTION COURSES
Memoir Writing II Book is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. The focus is on writing a book-length memoir. The prerequisite is Memoir II; Level II courses work best when students know the fundamentals and have experience with the workshop process. Farther down, you can view a syllabus for this course.
Every life holds many tales. Whether your life is wildly unconventional or relatively normal, there’s bound to be something fascinating about it. That’s why the contemporary memoir—everyday people telling their stories—has become such a popular phenomenon. A memoir covers an aspect of a life, whether it’s a short piece about, say, a bicycle ride with a friend, or a book about, say, your entire childhood.
To make readers care, your memoir must be told with the finesse of fiction. Here you will learn techniques for focusing your life stories, as well as well as writing craft and how to market your work.
Whether you seek to write essay-length pieces or a book, we’ll show you how to best tell the stories from your life.
This class will give you the kick you need to get your book completed.
More Covid details
This course focuses on book-length memoirs, helping you sharpen your skills at memoir craft and work toward completion of a book. Writers often repeat Memoir II to continue their projects. Course components:
Workshopping of student projects (each student presenting work three times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Who Cares?: How to make readers care about your story. Finding the right focus. Ways to entice—literary finesse, time/place, wisdom, humor. Finding the universality.
The Journey: Finding the journey of the protagonist (you). Protagonist’s desire. The arc of the protagonist. The climax.
Designing Your Life: Structuring the book. Chronological structure. Collage structure. Organizing principle structure. How to find the right design.
Playing with Time: Finding the right time frame. Flashbacks. Flash-forwards. Fluidity.
The Narrator: Importance of the narrator. Exploration of voice. The youthful voice. Action and reflection. Non-first person strategies. Tense. Eccentricities.
The Cast: Choosing the cast (who will appear). Bringing characters to life. Relationships. The tribute memoir.
Family Memoir: Exploration of the family memoir. Bringing broad appeal. The role of family. The role of you. Strategies for structuring the family memoir.
Tributaries: Subplots. Background information. Specialized information. Managing the tributaries.
Plumbing the Depths: Delving into memories. Delving into pain. Dealing with the issue of hurting people in your memoir.
Publishing a Book: When you need a book proposal. Basics of the book proposal. Soliciting agents and publishing house. Tips for maximizing your chance of publishing a book.
Note: Content may vary among individual classes.
Nan Mooney is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.Read more
is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.