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Creative Nonfiction 101
GUIDE TO NONFICTION COURSES
Nonfiction Pathways
Foundation
If you’re not sure what kind of nonfiction to write...
If you know what kind of nonfiction to write...
Memoir I
Essay & Opinion Writing
Feature Article Writing
Blog & Newsletter Writing
Travel Writing
Food Writing
Or...
If you want a rather short course...
Memoir Intensive
Flash Fiction & Nonfiction
Personal Essay Writing
Feature Article Writing Intensive
Humor Writing Intensive
Blog & Newsletter Writing Intensive
Next Steps
After completing a Level I ten-week course...
After completing Memoir II, if you want to write a book...
Selling Your Work
If you hope to get published somewhere...
Also Helpful
These essential courses are great for writers of any level.
Creative Nonfiction 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.
Creative nonfiction encompasses prose pieces that spring from the real world, which are told with the finesse and fizz of fiction. The truth is shaped into stories that embrace all styles, from straight to zany to brainy to lyrical, encompassing every topic imaginable from schoolyard memories to a trek in Nepal to the creation of the universe. You’ll see such pieces everywhere: books, magazines, newspapers, websites, blogs, newsletters.
Here you will gain an introduction to six major forms of creative nonfiction— memoir, personal essay, feature articles, profiles, reviews, and travel writing. You’ll learn what they are and how to create them. It’s a sampler platter, with no pressure to work on a specific project or settle on which type of nonfiction you prefer.
If you’re eager to explore the endless possibilities of nonfiction, your guided tour begins here.
This course de-codes creative nonfiction and teaches real world techniques that writers can use, not only to be better at the craft, but to also navigate the business of writing creative non-fiction.
Michelle McAfee
songwriter/photographer
Notes
The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.
Price
Registration fee $25, paid once per term
6-Week
-
Zoom
Real-time videoconference
Tuition: $339
-
Online
Anytime, week-long sessions
Tuition: $339
-
NYC
In-person
Tuition: $355
-
One-on-One
Tuition: $1,195
Syllabus
This course explores the major types of creative nonfiction, and the techniques that go with them. Course components:
Lectures
Writing exercises
New York City/Zoom classes
Week 1
Introduction to Creative Nonfiction: What is Creative Nonfiction? The difference between articles and essays. The role of the angle. Imagination in nonfiction writing.
Focus: Feature articles.
Week 2
Characters in Nonfiction: Transforming flesh-and-blood people into characters in a story. Using angles to define characters. Using character sketches to craft angles.
Focus: Profiles.
Week 3
Being Subjective: The art of description in nonfiction. When to be subjective. How to be opinionated but fair.
Focus: Reviews.
Week 4
Sense of Place in Nonfiction: Setting descriptions. Finding and re-creating the mood. Use of observation. The difference between travel articles and travel essays.
Focus: Travel writing.
Week 5
Personal Narratives: Differences between forms of personal narrative. Structure of essays vs. articles. Use of reflection and point of view.
Focus: Personal essay.
Week 6
The Life of the Writer: Drawing from your own life for your stories. Making room in your life for storytelling. Persistence and perseverance.
Focus: Memoir writing.
Note: Content may vary among individual classes.
Online classes
Week 1
Memoir: An aspect of life. Mining your memory. Telling a real-life story.
Week 2
Personal Essay: Any topic goes. Make it personal and universal. Shape and voice.
Week 3
Feature Articles: Telling a journalistic story. Feature structure. Feature ingredients.
Week 4
Profiles: Selecting someone to write about. Interviewing. Capturing a person on the page.
Week 5
Reviews: Purpose of a review. Facts and opinion. Playing to your audience.
Week 6
Travel Writing: Travel Articles. Travel Memoir. What’s next on your nonfiction journey?
Note: Content may vary among individual classes.
Teachers
Amy Scheiner
Amy Scheiner has published essays and short nonfiction in Slate, the Stonecoast Review, Blue Mesa Review, the Southampton Review, Longreads/Memoir Monday, Trouble Maker Fire Starter, and the Matador Network, among others. She has taught for Stony Brook University, the Young Artists and Writers Project, and the Community College of Philadelphia. She holds a BA from Boston University and an MFA in Creative Writing from Stony Brook University.
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Cullen Thomas
Cullen Thomas is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
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Janet Flora
Janet Flora has published nonfiction in Yalabusha Review, Willow Review, Forge, and the Sanskrit Literary-Arts Magazine. Her short stories have appeared in New Orleans Review, North Dakota Quarterly, Portland Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from The New School.
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Michael Dunphy
Michael Dunphy has pubished articles and essays in CNN, USA Today, Forbes, Tablet, American Way, Travel + Leisure, Travel Weekly, Time Out, Virtuoso Life, TravelAge West, and Beer Advocate. He is a contributing editor to Fodor's travel guides, the former managing editor of FlyWashington, Air Chicago, and LAX magazines, and former editor-in-chief of the newspaper The Bridge in Montpelier, Vermont. He holds a BA from the University of Vermont and an MA in Publishing and Writing from Emerson College.
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Rax King
Rax King is the author of the essay collections Sloppy (Vintage, forthcoming) and Tacky: Love Letters to the Worst Culture We Have to Offer (Vintage). Her essays, articles, and opinion have appeared in Food & Wine, Bon Appetit, Glamour, Vulture, Lit Hub, Electric Literature, Slate, and Harpers Bazaar, and she wrote the Store Bought is Fine column for Catapult magazine. She co-hosts the podcast Low Culture Boil, and taught for Catapult. She holds a BA from St. John's College.
Read moreAmy Scheiner
Amy Scheiner
has published essays and short nonfiction in Slate, the Stonecoast Review, Blue Mesa Review, the Southampton Review, Longreads/Memoir Monday, Trouble Maker Fire Starter, and the Matador Network, among others. She has taught for Stony Brook University, the Young Artists and Writers Project, and the Community College of Philadelphia. She holds a BA from Boston University and an MFA in Creative Writing from Stony Brook University.
Cullen Thomas
Cullen Thomas
is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
Janet Flora
Janet Flora
has published nonfiction in Yalabusha Review, Willow Review, Forge, and the Sanskrit Literary-Arts Magazine. Her short stories have appeared in New Orleans Review, North Dakota Quarterly, Portland Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from The New School.
Michael Dunphy
Michael Dunphy
has pubished articles and essays in CNN, USA Today, Forbes, Tablet, American Way, Travel + Leisure, Travel Weekly, Time Out, Virtuoso Life, TravelAge West, and Beer Advocate. He is a contributing editor to Fodor's travel guides, the former managing editor of FlyWashington, Air Chicago, and LAX magazines, and former editor-in-chief of the newspaper The Bridge in Montpelier, Vermont. He holds a BA from the University of Vermont and an MA in Publishing and Writing from Emerson College.
Rax King
Rax King
is the author of the essay collections Sloppy (Vintage, forthcoming) and Tacky: Love Letters to the Worst Culture We Have to Offer (Vintage). Her essays, articles, and opinion have appeared in Food & Wine, Bon Appetit, Glamour, Vulture, Lit Hub, Electric Literature, Slate, and Harpers Bazaar, and she wrote the Store Bought is Fine column for Catapult magazine. She co-hosts the podcast Low Culture Boil, and taught for Catapult. She holds a BA from St. John's College.
