Prerequisite:
Science Fiction & Fantasy Writing I
Science Fiction & Fantasy Writing II

Science Fiction & Fantasy Writing II is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. The prerequisite is Science Fiction & Fantasy Writing I, or the equivalent; Level II courses work best when students know the fundamentals and have experience with the workshop process.  Farther down, you can view a syllabus for this course.

Science Fiction and Fantasy may transport readers to a planet light-years away or deep inside the caves of a far-distant past. Whether extrapolating science into futuristic technology or conjuring new forms of magic, these genres imagine what might have been or what might be, opening the door to any possibility.

To write great science fiction or fantasy, you must splice together the skills of a fiction writer with the ability to make the imaginary seem true. Here you will learn the special requirements of these genres, as well as fiction craft and how to market your work.

Whether you seek to write short stories or novels, cyberpunk or high fantasy, we’ll show you how to craft tales that overwhelm with wonder.

About Science Fiction & Fantasy Writing
Science Fiction & Fantasy Writing II

The course is fantastic!

Dionisios Efkarpidis

television graphic artist

Notes

Our Science Fiction & Fantasy course includes all “speculative fiction”—an umbrella that covers the subgenres of science fiction (hard, alternate reality, cyberpunk, etc.) and fantasy (high, urban, historical, etc.) as well as works of horror. Currently the material skews toward science fiction, but most of the craft teaching applies equally to fantasy and horror, and students are welcome to work on fantasy and horror projects.

If you’re working in in the science fiction, fantasy, or horror genres, you may take Fiction I or (at the advanced level) Novel II First Draft or Novel II Critique, or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel course, or a “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.

Upcoming Classes

Check back soon. You'll likely see options when we finish our next schedule.

Syllabus

This course helps you sharpen your skills at the science fiction and fantasy genres and work toward completion of a short story (or two) or a novel. Writers often repeat Science Fiction & Fantasy II to continue their projects. Course components:
     Lectures
     Writing exercises
     Workshopping of student projects (each student presenting work two times)

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
The Basics, Again: Why SFF?, Reviewing—character, dialogue, conflict, plot, setting, description, style/voice. Things to avoid. Generating story ideas.

Week 2
Theme & Multi-Genreism: Reflecting the present through speculative fiction. Writing on the personal side. Understanding your beliefs. Dealing with theme. Exploring multi-genreism.

Week 3
Characterization: Your narrator. What makes your characters tick. Backstory. Using yourself. Making characters sound distinctive. Techniques for building and developing characters. Villains and anti-heroes.

Week 4
Advanced World-Building: Understanding the details. How characters perceive the world. The depth of your world. Originality. Verisimilitude.

Week 5
The Tightly Strung Wire: Expectations. Foreshadowing. Tension. Suspense. Misdirection.

Week 6
Advanced Plot: Basic plotting concerns. Various plot structures. Narrative triage.

Week 7
Pacing: Micro pacing. Macro pacing. Assessing a scene's components.

Week 8
Humor: Interweaving humor. Humor techniques—juxtaposition, exaggeration, extreme situations, wordplay. Funny characters. A comic voice.

Week 9
Breaking the Rules: Sentence rule-breaking. Narrative rule breaking.

Week 10
The Final Gloss: Getting the work in shiny shape. What editors looks for. Middle-itis. Controlling the inner critic. Where to go from here.

Note: Content may vary among individual classes.