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Science Fiction & Fantasy Writing II
GUIDE TO FICTION COURSES
Fiction Pathways
Foundation
If you’re not sure what kind of fiction to write...
If you know what kind of fiction to write...
Fiction Writing I
Zoetrope Fiction Writing I
Science Fiction & Fantasy Writing I
Mystery Writing I
Romance Writing I
Children’s Book Writing I
Or...
If you want a rather short course...
Fiction Writing Intensive
Children’s Book Writing Intensive
Middle Grade/Young Adult Intensive
Humor Writing Intensive
Comics & Graphic Novels
Next Steps
After completing a Level I ten-week course...
Short Fiction II
Zoetrope Short Fiction II
Novel II First Draft Part 1
Novel II Critique
Science Fiction & Fantasy Writing II
Mystery Writing II
Romance Writing II
Children’s Book Writing II
After completing Novel First Draft II Part 1...
After completing Short Fiction II...
Also Helpful
These essential courses are great for writers of any level.
Character
Dialogue
Plot 1: Mechanics
Plot 2: Machinations
Reading Fiction
In(verse): Poetic Techniques for Non-Poets
The Writer’s Mind
The Editor’s Eye
Grammar 1: The Basics
Grammar 2: Expertise and Finesse
Social Media
For Teens
Science Fiction & Fantasy Writing II is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. The prerequisite is Science Fiction & Fantasy Writing I, or the equivalent; Level II courses work best when students know the fundamentals and have experience with the workshop process. Farther down, you can view a syllabus for this course.
Science Fiction and Fantasy may transport readers to a planet light-years away or deep inside the caves of a far-distant past. Whether extrapolating science into futuristic technology or conjuring new forms of magic, these genres imagine what might have been or what might be, opening the door to any possibility.
To write great science fiction or fantasy, you must splice together the skills of a fiction writer with the ability to make the imaginary seem true. Here you will learn the special requirements of these genres, as well as fiction craft and how to market your work.
Whether you seek to write short stories or novels, cyberpunk or high fantasy, we’ll show you how to craft tales that overwhelm with wonder.
Fantastic!
Holly Johns
riding instructor/horse trainer/farmer
Notes
Our Science Fiction & Fantasy course includes all “speculative fiction”—an umbrella that covers the subgenres of science fiction (hard, alternate reality, cyberpunk, etc.) and fantasy (high, urban, historical, etc.) as well as works of horror. Currently the material skews toward science fiction, but most of the craft teaching applies equally to fantasy and horror, and students are welcome to work on fantasy and horror projects.
If you’re working in in the science fiction, fantasy, or horror genres, you may take Fiction I or (at the advanced level) Novel II First Draft or Novel II Critique, or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel course, or a “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
10-Week
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Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
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One-on-One
Tuition: $1,795
Syllabus
This course helps you sharpen your skills at the science fiction and fantasy genres and work toward completion of a short story (or two) or a novel. Writers often repeat Science Fiction & Fantasy II to continue their projects. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
The Basics, Again: Why SFF?, Reviewing—character, dialogue, conflict, plot, setting, description, style/voice. Things to avoid. Generating story ideas.
Week 2
Theme & Multi-Genreism: Reflecting the present through speculative fiction. Writing on the personal side. Understanding your beliefs. Dealing with theme. Exploring multi-genreism.
Week 3
Characterization: Your narrator. What makes your characters tick. Backstory. Using yourself. Making characters sound distinctive. Techniques for building and developing characters. Villains and anti-heroes.
Week 4
Advanced World-Building: Understanding the details. How characters perceive the world. The depth of your world. Originality. Verisimilitude.
Week 5
The Tightly Strung Wire: Expectations. Foreshadowing. Tension. Suspense. Misdirection.
Week 6
Advanced Plot: Basic plotting concerns. Various plot structures. Narrative triage.
Week 7
Pacing: Micro pacing. Macro pacing. Assessing a scene's components.
Week 8
Humor: Interweaving humor. Humor techniques—juxtaposition, exaggeration, extreme situations, wordplay. Funny characters. A comic voice.
Week 9
Breaking the Rules: Sentence rule-breaking. Narrative rule breaking.
Week 10
The Final Gloss: Getting the work in shiny shape. What editors looks for. Middle-itis. Controlling the inner critic. Where to go from here.
Note: Content may vary among individual classes.
