Science Fiction & Fantasy Writing I
GUIDE TO FICTION COURSESScience Fiction & Fantasy Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Science Fiction and Fantasy may transport readers to a planet light-years away or deep inside the caves of a far-distant past. Whether extrapolating science into futuristic technology or conjuring new forms of magic, these genres imagine what might have been or what might be, opening the door to any possibility.
To write great science fiction or fantasy, you must splice together the skills of a fiction writer with the ability to make the imaginary seem true. Here you will learn the special requirements of these genres, as well as fiction craft and how to market your work.
Whether you seek to write short stories or novels, cyberpunk or high fantasy, we’ll show you how to craft tales that overwhelm with wonder.
An excellent introduction to science fiction and fantasy writing.
David Tibbetts
lawyer
Notes
Our Science Fiction & Fantasy course includes all “speculative fiction”—an umbrella that covers the subgenres of science fiction (hard, alternate reality, cyberpunk, etc.) and fantasy (high, urban, historical, etc.) as well as works of horror. Currently the material skews toward science fiction, but most of the craft teaching applies equally to fantasy and horror, and students are welcome to work on fantasy and horror projects.
If you’re working in in the science fiction, fantasy, or horror genres, you may take Fiction I or (at the advanced level) Novel II First Draft or Novel II Critique, or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel course, or a “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
Upcoming Classes
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
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Class Full. Join wait list.
10-Week
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Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
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One-on-One
Tuition: $1,895
Syllabus
This course gives you a firm grounding in the basics of the science fiction and fantasy genres, and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Science Fiction & Fantasy: What is speculative fiction? Playing “what if?” Finding ideas.
Week 2
Character: What makes a character memorable. Backstory. Protagonist. Antagonist. Characters revealed through dialogue, description, actions, and thought.
Week 3
World Building: Creating new worlds. Working with the existing world. Consistency. World-building checkpoints. Sensory details.
Week 4
Story and Plot: Conflict. Stakes. Plot vs. story. Structure. Outlines. Synthesis vs. deus ex machina. Foreshadowing vs. telegraphing.
Week 5
Point of View: First person. Second person. Third person—various types. Handling multiple points of view.
Week 6
Voice, Style, Pacing: Types of voice and style. Pacing in story. Pacing in writing.
Week 7
Dialogue: Types of dialogue. Dialogue tags. Uses of dialogue. Characterization. When and where to include dialogue. Verisimilitude. Subtext. Otherness.
Week 8
Beginnings and Endings: Techniques for beginning. Techniques for ending. Avoiding a strong start and a weak finish. Surprise endings.
Week 9
SFF Conundrums: Exposition glut. Verisimilitude. Stereotypes and clichés.
Week 10
The Business: Understanding markets and trends for short stories and novels. Preparing your work. The submission process. Where to market your work. Dealing with rejection. Agents. Contracts. Resources, conferences, contests.
Note: Content may vary among individual classes.
Teachers
George Jreije
George Jreije is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the graphic novel Tarik’s Bazaar Adventure (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.
Read moreis the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the graphic novel Tarik’s Bazaar Adventure (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.