If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Science Fiction & Fantasy Writing I
GUIDE TO FICTION COURSES
Fiction Pathways
Foundation
If you’re not sure what kind of fiction to write...
If you know what kind of fiction to write...
Fiction Writing I
Zoetrope Fiction Writing I
Science Fiction & Fantasy Writing I
Mystery Writing I
Romance Writing I
Children’s Book Writing I
Or...
If you want a rather short course...
Fiction Writing Intensive
Flash Fiction & Nonfiction
Children’s Book Writing Intensive
Middle Grade/Young Adult Intensive
Humor Writing Intensive
Comics & Graphic Novels
Next Steps
After completing a Level I ten-week course...
Short Fiction II
Zoetrope Short Fiction II
Novel II First Draft Part 1
Novel II Critique
Science Fiction & Fantasy Writing II
Mystery Writing II
Romance Writing II
Children’s Book Writing II
After completing Novel First Draft II Part 1...
After completing Short Fiction II...
Also Helpful
These essential courses are great for writers of any level.
Character
Dialogue
Plot 1: Mechanics
Plot 2: Machinations
Reading Fiction
In(verse): Poetic Techniques for Non-Poets
The Writer’s Mind
The Editor’s Eye
Grammar 1: The Basics
Grammar 2: Expertise and Finesse
Social Media
For Teens
Science Fiction & Fantasy Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Science Fiction and Fantasy may transport readers to a planet light-years away or deep inside the caves of a far-distant past. Whether extrapolating science into futuristic technology or conjuring new forms of magic, these genres imagine what might have been or what might be, opening the door to any possibility.
To write great science fiction or fantasy, you must splice together the skills of a fiction writer with the ability to make the imaginary seem true. Here you will learn the special requirements of these genres, as well as fiction craft and how to market your work.
Whether you seek to write short stories or novels, cyberpunk or high fantasy, we’ll show you how to craft tales that overwhelm with wonder.
I learned the mechanics of writing SF, and what makes it SF.
Geoff Crooks
truck driver
Notes
Our Science Fiction & Fantasy course includes all “speculative fiction”—an umbrella that covers the subgenres of science fiction (hard, alternate reality, cyberpunk, etc.) and fantasy (high, urban, historical, etc.) as well as works of horror. Currently the material skews toward science fiction, but most of the craft teaching applies equally to fantasy and horror, and students are welcome to work on fantasy and horror projects.
If you’re working in in the science fiction, fantasy, or horror genres, you may take Fiction I or (at the advanced level) Novel II First Draft or Novel II Critique, or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel course, or a “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
10-Week
-
Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
-
Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
-
One-on-One
Tuition: $1,895
Syllabus
This course gives you a firm grounding in the basics of the science fiction and fantasy genres, and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Science Fiction & Fantasy: What is speculative fiction? Playing “what if?” Finding ideas.
Week 2
Character: What makes a character memorable. Backstory. Protagonist. Antagonist. Characters revealed through dialogue, description, actions, and thought.
Week 3
World Building: Creating new worlds. Working with the existing world. Consistency. World-building checkpoints. Sensory details.
Week 4
Story and Plot: Conflict. Stakes. Plot vs. story. Structure. Outlines. Synthesis vs. deus ex machina. Foreshadowing vs. telegraphing.
Week 5
Point of View: First person. Second person. Third person—various types. Handling multiple points of view.
Week 6
Voice, Style, Pacing: Types of voice and style. Pacing in story. Pacing in writing.
Week 7
Dialogue: Types of dialogue. Dialogue tags. Uses of dialogue. Characterization. When and where to include dialogue. Verisimilitude. Subtext. Otherness.
Week 8
Beginnings and Endings: Techniques for beginning. Techniques for ending. Avoiding a strong start and a weak finish. Surprise endings.
Week 9
SFF Conundrums: Exposition glut. Verisimilitude. Stereotypes and clichés.
Week 10
The Business: Understanding markets and trends for short stories and novels. Preparing your work. The submission process. Where to market your work. Dealing with rejection. Agents. Contracts. Resources, conferences, contests.
Note: Content may vary among individual classes.
Teachers
Cleve Lamison
Cleve Lamison is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is consulting producer of the short film Superman Doesn't Steal, which won Best Film at the Diversity In Cannes Short Film Showcase and the A Day In the Sun Film Festival, and was selected by the Cleveland International Film Festival, among many others. He was a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss, which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story" won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.
Read more
George Jreije
George Jreije is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the graphic novels Tarik’s Bazaar Adventure and Lilo and the League of Librarians (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.
Read more
Lyndsey Ellis
Lyndsey Ellis is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing), and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.
Read moreCleve Lamison
Cleve Lamison
is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is consulting producer of the short film Superman Doesn't Steal, which won Best Film at the Diversity In Cannes Short Film Showcase and the A Day In the Sun Film Festival, and was selected by the Cleveland International Film Festival, among many others. He was a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss, which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story" won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.
George Jreije
George Jreije
is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the graphic novels Tarik’s Bazaar Adventure and Lilo and the League of Librarians (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University.
Lyndsey Ellis
Lyndsey Ellis
is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing), and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.
