See also:
Novel II Critique
Up next:
Novel II First Draft—Part 2
Novel II First Draft—Part 1

Novel II First Draft, Part 1 is a 10-week workshop, which includes lectures and worksheets. The focus is on writing the first draft of a novel. The prerequisite is Fiction I, or the equivalent; Level II courses work best when students know the fundamentals.  Farther down, you can view a syllabus for this course.

The Novel First Draft classes work differently than other 10-week Workshops; they are devoted to powering through the first draft of a novel rather than critiquing. If you prefer to receive critiques on your novel, then take Novel Critique.

Gotham has two separate programs for Novel First Draft—Part 1 and Part 2. Part 1 should be taken first. If, after Part 1, you wish to continue working on your first draft, then take Part 2.

A novel is a world into which a reader disappears for hours or days at a time, navigating through time and space and human psychology. We live with the characters, be they a glamorous bootlegger living the high life, or a mixed-up teenager on hiatus from prep school, or a pair of runaway twins who branch into separate lives over the decades.

Writing a novel is a long haul—a steep climb over hundreds of pages that must work as a unified and engrossing whole. Here you’ll learn the specialized techniques of novel writing and how to market your work.

As Toni Morrison says: If there’s a book that you want to read, but it hasn't been written yet, then you must write it.

About Novel Writing
Novel II First Draft—Part 1

Thanks to this process I am confident I shall finish my first rough draft in a few weeks. That feels like a huge victory to me.

Frank Van Putten

actor

Notes

Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).

If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.

Upcoming Classes NYC COVID Info

Masks are not required, but we’ll provide masks for those who want them. We are no longer requesting proof of vaccination.

More Covid details
  • You can still enroll in this class.
    Starts Wednesday, April 17
    NYC, 10am – 1pm ET
    10-Week Workshop
  • Deal du Jour! Register for $305.00
    You can still enroll in this class.
    Starts Wednesday, April 17
    Zoom, 2pm – 5pm ET
    10-Week Workshop
  • You can still enroll in this class.
    Starts Wednesday, April 17 1 spot left
    Zoom, 7pm – 10pm ET
    10-Week Workshop

Price

Registration fee $25, paid once per term

See Payment Options

To register for a 10-Week course, you need to pay in full to guarantee your place in class. Or you can pay a $95 deposit plus a $25 registration fee (total $120) to temporarily hold your place, but tuition must be paid in full 10 business days before your class starts or you risk losing your spot.

10-Week

Syllabus

The aim of this course is to power through a large portion (or all) of your first draft without stopping for feedback or self-doubt. You get craft and inspirational information, weekly worksheets, and a support group, but there is no critiquing of student work (aside from teacher feedback on your worksheets). Course components:
     Lectures
     Worksheets (to help develop your novel)
     Weekly word-count goals

Gotham has two separate programs for Novel First Draft—Part 1 and Part 2. Part 1 should be taken first. If, after Part 1, you wish to continue working on your First Draft, then take Part 2.

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Each lecture contains two sections: craft information and inspirational advice. 

Week 1
Fuel/Sticking to It: Finding the white-hot idea that will keep you fueled. Techniques for staying the course. 

Week 2
Protagonist/Psychological Barriers: Creating a protagonist’s desire and dimension. Ways to “show” the protagonist. How to break through your psychological barriers.

Week 3
Beginning/Don’t Look Back: Structure. Outlines. Sketching your Beginning. How to keep moving forward no matter what. 

Week 4
POV & Voice/Reading: Finding the right point of view. Reasons to read while writing. Types of things to read.

Week 5
Middle/Brainstorming: Strategies for creating a rising action. Sketching your Middle. The art of brainstorming. 

Week 6 
Cast & Subplots/The World Around You: Figuring out your cast. Subplots. Drawing ideas and inspiration from the world around you. 

Week 7 
World/Love of Language: Creating the specific world of your novel. Relishing and enlivening your language. 

Week 8 
Scenes/Patience & Surprise: Elements of a good scene. Allowing the patience for letting things unfold. Finding the surprises of discovery.

Week 9 
Protagonist II/The World Inside You: Finding and revealing the protagonist’s past. Discovering the protagonist’s evolution. Drawing ideas and inspiration from what is inside you.

Week 10 
End/What’s Next?: Climax and resolution. Sketching your End. Finishing the first draft. Revision. Friends and feedback.

Note: Content may vary among individual classes.

Teachers

Angela Lam
Angela Lam

Angela Lam is the author of the memoir Red Eggs and Good Luck (She Writes Press), the novels Friends First, The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), and Blood Moon Rising (Eternal Press), and the short story collections Water Baby and Other Stories (Gross Productions), and The Human Act and Other Stories (All Things That Matter Press). Her nonfiction has appeared in The Sun, the San Jose Mercury News, SFGate, the Portland Book Review, and the Bohemian. She holds a BA from Sonoma State University.

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Arlaina Tibensky
Arlaina Tibensky

Arlaina Tibensky is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong QuarterlyMcSweeney's, Madison ReviewThe Dinner Party DownloadNew Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.

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Benjamin Obler
Benjamin Obler

Benjamin Obler is the author of the novel Javascotia (Penguin UK). His short stories and essays have appeared in The Guardian, London Times, Mirror, Electric Literature, Long Reads, Puerto Del Sol, The Junction, Belle Ombre, Qwerty, Sundress, Thirty-Two, Cottonwood, and Evansville Review. He has taught at the Loft Literary Center. He holds a BA from the University of St. Thomas and an MFA in Creative Writing from the University of Glasgow.

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Tatjana Soli
Tatjana Soli

Tatjana Soli is the author of the novels The Lotus Eaters, a New York Times bestseller, The Removes (Sarah Crichton Books), The Forgetting Treeand The Last Good Paradise (both St. Martin’s Press). She has published short stories in StoryQuarterly, Confrontation, Gulf Coast, Other Voices, Nimrod, Third Coast, Carolina Quarterly, Sonora Review and North Dakota Quarterly, and her work has been twice cited in Best American Short Stories. She holds a BA from Stanford University and an MFA in Fiction from Warren Wilson.

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