See also:
Science Fiction & Fantasy Writing Intensive
Up next:
Science Fiction & Fantasy Writing II
Science Fiction & Fantasy Writing I

Science Fiction & Fantasy Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.

Science Fiction and Fantasy may transport readers to a planet light-years away or deep inside the caves of a far-distant past. Whether extrapolating science into futuristic technology or conjuring new forms of magic, these genres imagine what might have been or what might be, opening the door to any possibility.

To write great science fiction or fantasy, you must splice together the skills of a fiction writer with the ability to make the imaginary seem true. Here you will learn the special requirements of these genres, as well as fiction craft and how to market your work.

Whether you seek to write short stories or novels, cyberpunk or high fantasy, we’ll show you how to craft tales that overwhelm with wonder.

About Science Fiction & Fantasy Writing
Science Fiction & Fantasy Writing I

A fine overview of what speculative fiction is all about.

Wana Perry

retired executive

Notes

Our Science Fiction & Fantasy course includes all “speculative fiction”—an umbrella that covers the subgenres of science fiction (hard, alternate reality, cyberpunk, etc.) and fantasy (high, urban, historical, etc.) as well as works of horror. Currently the material skews toward science fiction, but most of the craft teaching applies equally to fantasy and horror, and students are welcome to work on fantasy and horror projects.

If you’re working in in the science fiction, fantasy, or horror genres, you may take Fiction I or (at the advanced level) Novel II First Draft or Novel II Critique, or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel course, or a “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered. 

Upcoming Classes

If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).

Price

Registration fee $25, paid once per term

See Payment Options

To register for a 10-Week course, you need to pay in full to guarantee your place in class. Or you can pay a $95 deposit plus a $25 registration fee (total $120) to temporarily hold your place, but tuition must be paid in full 10 business days before your class starts or you risk losing your spot. No deposits for Zoetrope classes.

10-Week

Syllabus

This course gives you a firm grounding in the basics of the science fiction and fantasy genres, and gets you writing a short story (or two) or a novel. Course components:
     Lectures
     Writing exercises
     Workshopping of student projects (each student presenting work two times)

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
Introduction to Science Fiction & Fantasy: What is speculative fiction? Playing “what if?” Finding ideas.

Week 2
Character: What makes a character memorable. Backstory. Protagonist. Antagonist. Characters revealed through dialogue, description, actions, and thought.

Week 3
World Building: Creating new worlds. Working with the existing world. Consistency. World-building checkpoints. Sensory details.

Week 4
Story and Plot: Conflict. Stakes. Plot vs. story. Structure. Outlines. Synthesis vs. deus ex machina. Foreshadowing vs. telegraphing.

Week 5
Point of View: First person. Second person. Third person—various types. Handling multiple points of view.

Week 6
Voice, Style, Pacing: Types of voice and style. Pacing in story. Pacing in writing.

Week 7
Dialogue: Types of dialogue. Dialogue tags. Uses of dialogue. Characterization. When and where to include dialogue. Verisimilitude. Subtext. Otherness.

Week 8
Beginnings and Endings: Techniques for beginning. Techniques for ending. Avoiding a strong start and a weak finish. Surprise endings.

Week 9
SFF Conundrums: Exposition glut. Verisimilitude. Stereotypes and clichés.

Week 10
The Business: Understanding markets and trends for short stories and novels. Preparing your work. The submission process. Where to market your work. Dealing with rejection. Agents. Contracts. Resources, conferences, contests.

Note: Content may vary among individual classes.

Teachers

Cleve Lamison
Cleve Lamison

Cleve Lamison is the author of the science fiction novel Full-Blood Half-Breed (Penguin Random House), and he is a contributing writer to Suvudu.com, a science fiction and fantasy blog at Random House. He is consulting producer of the short film Superman Doesn't Steal, which won Best Film at the Diversity In Cannes Short Film Showcase and the A Day In the Sun Film Festival, and was selected by the Cleveland International Film Festival, among many others. He was a staff writer for the television show Craig Ross Jr.’s Monogamy (Urban Movie Channel), and he wrote and directed the feature film Following Bliss, which won Best Feature Film at the Global Arts International Film Festival. His short film "The Story" won the Denver World Film Festival, and his short film "Jack for President" was a runner-up in the New York 24-Hour Filmmaking Contest. He was the artistic director of the BlackBird Theatre Company in NYC; created, wrote, and drew the cartoon strip Rick the Roach for the Richmond News Leader; and is a veteran of the U.S. Army Reserves. He holds a BA from Virginia Commonwealth University.

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George Jreije
George Jreije

George Jreije is the author of the Shad Hadid children's fantasy series, the novel Bashir Boutros and the Jewels of the Nile, and the forthcoming graphic novel Tarik’s Bazaar Adventure (all HarperCollins). He has also written short stories published in collaboration with UNICEF. He has taught for the Concord (Massachusetts) Library System, the Orlando Libraries, and the Society of Children's Book Writers and Illustrators. He holds a BS and an MBA from Clark University. 

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Michaela Roessner
Michaela Roessner

Michaela Roessner is the author of the science fiction novels The Stars Compel, The Stars Dispose, Vanishing Point (all Tor Books) and the fantasy novel Walkabout Woman. Her short stories have appeared in Isaac Asimov's Science Fiction Magazine, The Magazine of Fantasy and Science Fiction, OMNI Magazine, Strange Plasma, Room Magazine, and the anthologies Conqueror Fantastic, Intersections, and Full Spectrum2. She has taught at the Clarion Writers’ Workshop and Western State Colorado University. She holds a BFA from the California College of Arts and Crafts and an MFA in Popular Fiction from the University of Southern Maine/Stonecoast Creative Writing program.

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