Nonfiction Book Proposal

GUIDE TO NONFICTION COURSES
Nonfiction Pathways
Foundation
If you’re not sure what kind of nonfiction to write...
If you know what kind of nonfiction to write...
Or...
If you want a rather short course...
Next Steps
After completing a Level I ten-week course...
After completing Memoir II, if you want to write a book...
Selling Your Work
If you hope to get published somewhere...
Nonfiction Book Proposal

Nonfiction Book Proposal is a 4-week class, which includes a mixture of lectures and book proposal assignments. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Perhaps you’re near completion of a nonfiction book. Or perhaps you’ve just hatched an idea or begun roughing out a draft. Before you proceed further, you should know…

Most nonfiction books are sold to publishing houses on the basis of a proposal—a 20 to 40-page document that pitches the book’s content and marketability and is supplemented by sample chapters. Agents and editors don’t want to see the finished book. They want to see the proposal.

Here you will learn everything you need to know about nonfiction book proposals and, to focus your concept, you’ll write (and refine) your book’s catalogue copy—a brief description that reveals the book’s essence. All under the guidance of an established literary agent.

About Nonfiction Book Proposal
Nonfiction Book Proposal

A must-have road map for every author who wants to develop a book property.

Susan Lee

business development, Broadway & Arts sector

Notes

This course deals with all kinds of nonfiction books. (Memoirs, however, are sometimes sold with proposals, and sometimes sold after the complete work is written. Often it’s best to write the complete memoir, but this course can help you discern the scope and marketability of your memoir.)

After this course, you can get one-on-one help through Nonfiction Book Proposal Doctoring.

You might also consider How to Get Published, but Nonfiction Book Proposal is a good place to start for nonfiction writers.

Upcoming Classes

If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).

Price

Registration fee $25, paid once per term

4-Week

Syllabus

This course gives you a firm grounding in the basics of creating a nonfiction book proposal, and helps you focus a concept for a nonfiction book. Course components:
     Lectures
     Writing and receiving feedback on catalogue copy for your book (each student presenting work two times)

Week 1
Focusing Your Idea: Defining your book. What is a book proposal? Catalogue copy—angle, credentials, excitement. Catalogue copy analyzed. Titles.

Week 2
Anatomy of a Proposal: Analysis of the parts of a book proposal—Overview, Market, Competition, Promotion, Author, Details, Chapter Outline, Sample Chapters. (Complete book proposals are given to students.)

Week 3
Creating Your Proposal: Advice on handling the parts of a book proposal—Overview, Market, Competition, Promotion, Author, Details, Chapter Outline, Sample Chapters.

Week 4
The Submission Process: The steps from idea to publication. Understanding publishing houses, editors, and agents. Should you approach agents or editors first? Researching the right agents and editors for your book. What to send, how to send it. Query letters. Response. Rejection. Contracts. Self-publishing.

Note: Content may vary among individual classes.

Teachers

Sharon Pelletier
Sharon Pelletier

Sharon Pelletier is a vice president and senior agent at Dystel, Goderich & Bourret, where she represents upmarket adult fiction, from book club and women’s fiction to elevated suspense and romance, and select narrative nonfiction. She previously worked on the editorial side at small presses and Barnes & Noble.

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