Memoir Writing I
GUIDE TO NONFICTION COURSES![Memoir Writing I](https://writingclasses.com/img/courses/memoir.jpg)
Memoir Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Every life holds many tales. Whether your life is wildly unconventional or relatively normal, there’s bound to be something fascinating about it. That’s why the contemporary memoir—everyday people telling their stories—has become such a popular phenomenon. A memoir covers an aspect of a life, whether it’s a short piece about, say, a bicycle ride with a friend, or a book about, say, your entire childhood.
To make readers care, your memoir must be told with the finesse of fiction. Here you’ll learn techniques for focusing your life stories, as well as well as writing craft and how to market your work.
Whether you seek to write essay-length pieces or a book, we’ll show you how to best tell the stories from your life.
![Memoir Writing I](https://writingclasses.com/img/courses/memoir.jpg)
![](https://wp.writingclasses.com/wp-content/themes/gotham-writers/assets/images/quote.png)
The course helped to re-ignite my passion for my book. I'm excited enough to register early for Memoir II.
Tracey Hughes
public relations
Notes
A memoir is similar to a personal essay; both incorporate elements from the writer’s life. But a personal essay focuses more on the viewpoint, and a memoir focuses more on the story. Gotham also offers courses on Essay & Opinion Writing and an Intensive on Personal Essay Writing.
Upcoming Classes NYC COVID Info
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
10-Week
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Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
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Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
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NYC
In-person
Tuition: $465 (returning students: $435)
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One-on-One
Tuition: $1,795
Syllabus
This course gives you a firm grounding in the basics of memoir craft and gets you writing a short memoir (or two) or a book. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Memoir: The contemporary memoir defined. Short and long memoirs. Finding the “who cares?” in your story. Focusing on an aspect of your life. Types of memoirs—coming of age, adversity, relationship, career, travel.
Week 2
Mining Your Memory: How “true” must it be? Researching your past. The balance of being “actor” and “observer.” Not using memoir as therapy. Facing the truth.
Week 3
Character: Thinking of real people as characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters.
Week 4
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short and long plots. Pros and cons of outlining.
Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view.
Week 6
Dialogue: The importance of scene. Turning real life conversations into dialogue. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext.
Week 7
Point of View/Voice: Point of view defined. First person and other memoir alternatives. Voice defined. Exploration of the various types of voice. Tips for finding your voice.
Week 8
Setting/Pacing: Creating setting through time, place, and weather. Description of setting. Mood and emotion of setting. How to manipulate time through pacing. Flashbacks.
Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.
Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. How to send your work out. Query letters.
Note: Content may vary among individual classes.
Teachers
A. Hansen Miller
A. Hansen Miller has published essays, articles, and poems in the New York Times, Line of Advance, Columbia Journal, Salt Hill Journal, Raffish, and the Journal of Military Experience, and been anthologized in The Weight of My Armor (Parlor Press). His essay “Threads of Fiction” was adapted into the short film Solemn Return. Formerly he was an editor for the Syracuse Peace Council Newsletter, the nonfiction editor of the Journal of Military Experience, and the online managing editor of Columbia Journal. He served as an artillery officer in the US Army overseas in South Korea and Afghanistan, deployed to Afghanistan a second time as a military intelligence officer, and was honorably discharged at the rank of captain. He is a cofounder and board member of the Ivy League Veterans Council, a cofounder of the Charlotte Veterans Writing Group, a cofounder of the Moral Injury Project at Syracuse University, and a former group leader of the Syracuse Veterans Writing Group. He holds a BA from Illinois Wesleyan University and an MFA in creative nonfiction from Columbia University.
Read moreCarmen Bugan
Carmen Bugan is the author of the memoir Burying the Typewriter (Picador), the essay collection Poetry and the Language of Opression (Oxford University), and the poetry collections Time Being, Lillies from America, Releasing the Porcelain Birds, The House of Straw (all Shearsman Books), and Crossing the Carpathians (Carcanet Press). Her poems and essays have appeared in the Irish Times, the Harvard Review, the International Literature Quarterly, the Nieman Storyboard, and the anthologies Centres of Catacylsm (Bloodaxe Books), See How I Land (Heaven Tree Press), and Penguin’s Poems for Life (Penguin). She has taught at Grand Valley State University, the University of Fribourg, the Geneva Writers’ Group, and Oxford University. She holds a BA from the University of Michigan, an MA in Creative Writing from Lancaster University, and a Master’s and Ph.D, both in English Literature, from Oxford University.
Read moreCindy House
Cindy House is the author of the memoir Mother Noise (Scribner/Marysue Rucci Books), and her essays and short fiction have appeared in Passengers Journal, Lily Poetry Review, Wig Leaf, Solstice Literary Magazine, Longleaf Review, and So To Speak, among others. She is a humorist who opens regularly for David Sedaris at Kennedy Center, Symphony Hall, and The Town Hall in New York, among others. She teaches in the MFA program at Lesley University. She attended the School of the Art Institute in Chicago and holds an MFA in Fiction from Lesley University.
Read moreCullen Thomas
Cullen Thomas is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
Read moreJil Picariello
Jil Picariello is the co-author of the memoir Jessica Lost (Union Square Press). She is the Theater Editor for ZealNYC, and her nonfiction has appeared in Afar, Food + Wine, New York, Seventeen, and USA Today. She has worked as a copywriter for New York and People, as copy chief for The Parenting Group at Time Warner, and as copy director for Reader’s Digest. She has taught at Media Bistro. She holds a BFA from New York University and an MFA in creative writing from The New School.
Read moreKyleigh Leddy
Kyleigh Leddy is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine, Parents, People, QCODE, and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.
Read moreNan Mooney
Nan Mooney is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.
Read moreScott LaCounte
Scott LaCounte (also writing as Scott Douglas) is a long-time contributor to McSweeney’s, from which his humor series was turned into the memoir Quiet, Please: Dispatches From a Public Librarian (Da Capo Books). He has independently published a wide range of books on religion, as well as books for children and in the science fiction and humor genres. He holds a BA from California State University-Fullerton, and an MLIS in Library Science from San Jose State University.
Read morehas published essays, articles, and poems in the New York Times, Line of Advance, Columbia Journal, Salt Hill Journal, Raffish, and the Journal of Military Experience, and been anthologized in The Weight of My Armor (Parlor Press). His essay “Threads of Fiction” was adapted into the short film Solemn Return. Formerly he was an editor for the Syracuse Peace Council Newsletter, the nonfiction editor of the Journal of Military Experience, and the online managing editor of Columbia Journal. He served as an artillery officer in the US Army overseas in South Korea and Afghanistan, deployed to Afghanistan a second time as a military intelligence officer, and was honorably discharged at the rank of captain. He is a cofounder and board member of the Ivy League Veterans Council, a cofounder of the Charlotte Veterans Writing Group, a cofounder of the Moral Injury Project at Syracuse University, and a former group leader of the Syracuse Veterans Writing Group. He holds a BA from Illinois Wesleyan University and an MFA in creative nonfiction from Columbia University.
is the author of the memoir Burying the Typewriter (Picador), the essay collection Poetry and the Language of Opression (Oxford University), and the poetry collections Time Being, Lillies from America, Releasing the Porcelain Birds, The House of Straw (all Shearsman Books), and Crossing the Carpathians (Carcanet Press). Her poems and essays have appeared in the Irish Times, the Harvard Review, the International Literature Quarterly, the Nieman Storyboard, and the anthologies Centres of Catacylsm (Bloodaxe Books), See How I Land (Heaven Tree Press), and Penguin’s Poems for Life (Penguin). She has taught at Grand Valley State University, the University of Fribourg, the Geneva Writers’ Group, and Oxford University. She holds a BA from the University of Michigan, an MA in Creative Writing from Lancaster University, and a Master’s and Ph.D, both in English Literature, from Oxford University.
is the author of the memoir Mother Noise (Scribner/Marysue Rucci Books), and her essays and short fiction have appeared in Passengers Journal, Lily Poetry Review, Wig Leaf, Solstice Literary Magazine, Longleaf Review, and So To Speak, among others. She is a humorist who opens regularly for David Sedaris at Kennedy Center, Symphony Hall, and The Town Hall in New York, among others. She teaches in the MFA program at Lesley University. She attended the School of the Art Institute in Chicago and holds an MFA in Fiction from Lesley University.
is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
is the co-author of the memoir Jessica Lost (Union Square Press). She is the Theater Editor for ZealNYC, and her nonfiction has appeared in Afar, Food + Wine, New York, Seventeen, and USA Today. She has worked as a copywriter for New York and People, as copy chief for The Parenting Group at Time Warner, and as copy director for Reader’s Digest. She has taught at Media Bistro. She holds a BFA from New York University and an MFA in creative writing from The New School.
is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine, Parents, People, QCODE, and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.
is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her nonfiction has also appeared in The Atlantic, the Washington Post,Slate, Motherwell, Alternet, and Babble. She holds a BA from Scripps College.
(also writing as Scott Douglas) is a long-time contributor to McSweeney’s, from which his humor series was turned into the memoir Quiet, Please: Dispatches From a Public Librarian (Da Capo Books). He has independently published a wide range of books on religion, as well as books for children and in the science fiction and humor genres. He holds a BA from California State University-Fullerton, and an MLIS in Library Science from San Jose State University.