Fiction Writing I
GUIDE TO FICTION COURSES
Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Also consider Gotham’s premium Zoetrope Fiction Writing classes: Zoetrope Fiction I or Zoetrope Fiction II.
Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.
To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.
Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.


If you want to feel encouraged to write, put yourself out there and sign up for a Gotham class.
Colleen Dougherty Bronstein
artist/metalsmith
Notes
Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).
If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
Upcoming Classes NYC COVID Info
More Covid details
10-Week
-
Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
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NYC
In-person
Tuition: $465 (returning students: $435)
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Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
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One-on-One
Tuition: $1,795
Syllabus
This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Fiction: The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.
Week 2
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters.
Week 3
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining.
Week 4
Point of View: POV defined. Exploration of the many types of POV.
Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view.
Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect.
Week 7
Setting/Pacing: Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks.
Week 8
Voice: Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.
Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.
Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.
Note: Content may vary among individual classes.
Teachers
Alanna Schubach
Alanna Schubach is the author of the novel The Nobodies (Blackstone Publishing). Her short stories have appeared in Sewanee Review, Massachusetts Review, Juked, and Electric Literature's Recommended Reading. Her nonfiction has appeared in The Atlantic, The Nation, Jacobin, the Washington Post, the Village Voice, and the LA Review of Books. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.
Read moreAngela Lam
Angela Lam is the author of the memoir Red Eggs and Good Luck (She Writes Press), the novels Friends First, The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), and Blood Moon Rising (Eternal Press), and the short story collection The Human Act and Other Stories (All Things That Matter Press). Her nonfiction has appeared in The Sun, the San Jose Mercury News, SFGate, the Portland Book Review, and the Bohemian. She holds a BA from Sonoma State University.
Read moreArlaina Tibensky
Arlaina Tibensky is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, McSweeney's, Madison Review, The Dinner Party Download, New Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.
Read moreBrendan Halpin
Brendan Halpin is the author of the novels Dear Catastrophe Waitress, Long Way Back, and Donorboy (all by Villard); the memoirs Losing My Faculties and It Takes a Worried Man (both by Villard); and the author or co-author of eight young adult novels, including Legacy (Gum Road), Forever Changes (by Farrar, Straus & Giroux), Tessa Masterson Will Go To Prom (Walker Books), and A Really Awesome Mess (Egmont USA). His nonfiction has appeared in the New York Times, the Boston Globe, the Los Angeles Times, the Sunday Times (of London) Magazine, Best Life Magazine, Rosie Magazine, and Ladies’ Home Journal. He has taught at Emmanuel College, Bunker Hill Community College, and the Wentworth Institute of Technology. He holds a BA from the University of Pennsylvania and an MA in Teaching from Tufts University.
Read moreMengyin Lin
Mengyin Lin has published short fiction in Ploughshares, Joyland, Pleiades, Epiphany, Fence, swamp pink, and Best Debut Short Stories (Catapult Books), and essays and interviews in the New York Times and Guernica. She holds a BFA in Film from New York University and an MFA in Fiction from Brooklyn College.
Read morePhilip Cioffari
Philip Cioffari is the author of the novels If Anyone Asks, Say I Died From the Heartbreaking Blues, The Bronx Kill, Jesusville, Catholic Boys, and Dark Road, Dead End, as well as the short story collection A History of Things Lost or Broken, (all Livingston Press/University of West Alabama). His short fiction has appeared in the Southern Humanities Review, the Westchester Review, the North American Review, the Connecticut Review, Italian Americana, and been anthologized in Wild Dreams (Fordham University Press), 100 Percent Pure Florida Fiction (University of Florida Press), and Many Lights in Many Windows (Milkweed Editions). His plays have been staged or received staged readings at The Actors Studio, the Belmont Playhouse, the Gettysburg College New Plays Festival, and the Circle Repertory Lab, among many others. He wrote and directed the feature film Love in the Age of Dion, which won Best Director at the New York Independent Film and Video Festival, played at many film festivals including the Rhode Island International Film Festival and the Wildwood-By-The-Sea Festival, and was selected for the New Filmmakers NY series. He teaches at William Paterson University. He holds a Ph.D from New York University.
Read moreQuinn Adikes
Quinn Adikes has published fiction in Lit Hub, Five Points, Epiphany, december, the Southampton Review, Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing.
Read moreRadhika Sharma
Radhika Sharma is the author of the novel Mangoes for Monkeys and the short story collection Parikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in the Santa Clara Review and The Fanzine, and her essays, reviews, and articles have appeared in the San Jose Mercury News, the San Francisco Chronicle, the Times of India, the Economic Times, Pacific Time, Perspectives, In the Fray, and the Forum on KQED FM, among many others. She is a former assistant fiction editor for 14Hills literary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.
Read moreRita Chang-Eppig
Rita Chang-Eppig is the author of the novel Deep as the Sky, Red as the Sea (Bloomsbury). Her short fiction has been selected for Best American Short Stories and published in Midnight Breakfast, McSweeney’s Quarterly Concern, the Rumpus, Clarkesworld, the Virginia Quarterly Review, the Santa Monica Review, Conjunctions, and the Kenyon Review Online, among others. She received a Steinbeck Fellowship from the Martha Heasley Cox Center for Steinbeck Studies at San Jose State University, and she has taught for the University of San Francisco and the San Francisco Writers’ Grotto. She holds a Ph.D in Clinical Psychology from the University of Michigan and an MFA in Fiction from New York University.
Read moreis the author of the novel The Nobodies (Blackstone Publishing). Her short stories have appeared in Sewanee Review, Massachusetts Review, Juked, and Electric Literature's Recommended Reading. Her nonfiction has appeared in The Atlantic, The Nation, Jacobin, the Washington Post, the Village Voice, and the LA Review of Books. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.
is the author of the memoir Red Eggs and Good Luck (She Writes Press), the novels Friends First, The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), and Blood Moon Rising (Eternal Press), and the short story collection The Human Act and Other Stories (All Things That Matter Press). Her nonfiction has appeared in The Sun, the San Jose Mercury News, SFGate, the Portland Book Review, and the Bohemian. She holds a BA from Sonoma State University.
is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, McSweeney's, Madison Review, The Dinner Party Download, New Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.
is the author of the novels Dear Catastrophe Waitress, Long Way Back, and Donorboy (all by Villard); the memoirs Losing My Faculties and It Takes a Worried Man (both by Villard); and the author or co-author of eight young adult novels, including Legacy (Gum Road), Forever Changes (by Farrar, Straus & Giroux), Tessa Masterson Will Go To Prom (Walker Books), and A Really Awesome Mess (Egmont USA). His nonfiction has appeared in the New York Times, the Boston Globe, the Los Angeles Times, the Sunday Times (of London) Magazine, Best Life Magazine, Rosie Magazine, and Ladies’ Home Journal. He has taught at Emmanuel College, Bunker Hill Community College, and the Wentworth Institute of Technology. He holds a BA from the University of Pennsylvania and an MA in Teaching from Tufts University.
has published short fiction in Ploughshares, Joyland, Pleiades, Epiphany, Fence, swamp pink, and Best Debut Short Stories (Catapult Books), and essays and interviews in the New York Times and Guernica. She holds a BFA in Film from New York University and an MFA in Fiction from Brooklyn College.
is the author of the novels If Anyone Asks, Say I Died From the Heartbreaking Blues, The Bronx Kill, Jesusville, Catholic Boys, and Dark Road, Dead End, as well as the short story collection A History of Things Lost or Broken, (all Livingston Press/University of West Alabama). His short fiction has appeared in the Southern Humanities Review, the Westchester Review, the North American Review, the Connecticut Review, Italian Americana, and been anthologized in Wild Dreams (Fordham University Press), 100 Percent Pure Florida Fiction (University of Florida Press), and Many Lights in Many Windows (Milkweed Editions). His plays have been staged or received staged readings at The Actors Studio, the Belmont Playhouse, the Gettysburg College New Plays Festival, and the Circle Repertory Lab, among many others. He wrote and directed the feature film Love in the Age of Dion, which won Best Director at the New York Independent Film and Video Festival, played at many film festivals including the Rhode Island International Film Festival and the Wildwood-By-The-Sea Festival, and was selected for the New Filmmakers NY series. He teaches at William Paterson University. He holds a Ph.D from New York University.
has published fiction in Lit Hub, Five Points, Epiphany, december, the Southampton Review, Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing.
is the author of the novel Mangoes for Monkeys and the short story collection Parikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in the Santa Clara Review and The Fanzine, and her essays, reviews, and articles have appeared in the San Jose Mercury News, the San Francisco Chronicle, the Times of India, the Economic Times, Pacific Time, Perspectives, In the Fray, and the Forum on KQED FM, among many others. She is a former assistant fiction editor for 14Hills literary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.
is the author of the novel Deep as the Sky, Red as the Sea (Bloomsbury). Her short fiction has been selected for Best American Short Stories and published in Midnight Breakfast, McSweeney’s Quarterly Concern, the Rumpus, Clarkesworld, the Virginia Quarterly Review, the Santa Monica Review, Conjunctions, and the Kenyon Review Online, among others. She received a Steinbeck Fellowship from the Martha Heasley Cox Center for Steinbeck Studies at San Jose State University, and she has taught for the University of San Francisco and the San Francisco Writers’ Grotto. She holds a Ph.D in Clinical Psychology from the University of Michigan and an MFA in Fiction from New York University.