See also:
Fiction Writing Intensive
Up next:
Level II Options
Fiction Writing I

Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.

Also consider Gotham’s premium Zoetrope Fiction Writing classes: Zoetrope Fiction I or Zoetrope Fiction II.

Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.

To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.

Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.

About Fiction Writing
Fiction Writing I

The class was great. I write for a living, but this class really got me excited about my own work again. I found a group of people who speak my language…and we worked on learning more of that language together.

Annika Wood

television promotions writer/producer

Notes

Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).

If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.

Upcoming Classes

  • Starts Wednesday, January 13
    NYC, 7pm – 10pm ET
    10-Week Workshop
  • Starts Tuesday, December 1
    Online, anytime
    10-Week Workshop

Price

Registration fee $25, paid once per term

See Payment Options

To register for a 10-Week course, you need to pay in full to guarantee your place in class. Or you can pay a $95 deposit plus a $25 registration fee (total $120) to temporarily hold your place, but tuition must be paid in full 10 business days before your class starts or you risk losing your spot. No deposits for Zoetrope classes.

10-Week

Syllabus

This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
     Lectures
     Writing exercises
     Workshopping of student projects (each student presenting work two times)

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
Introduction to Fiction: The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.

Week 2
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters. 

Week 3
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining. 

Week 4
Point of View: POV defined. Exploration of the many types of POV. 

Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view. 

Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect. 

Week 7
Setting/Pacing: Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks. 

Week 8
Voice: Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.

Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision. 

Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.

Note: Content may vary among individual classes.

Teachers

Benjamin Buchholz
Benjamin Buchholz

Benjamin Buchholz is the author of the novels One Hundred and One Nights (Back Bay Books/Little, Brown) and Sirens of Manhattan (Bradley Publishing), and the nonfiction books Private Soldiers (Wisconsin Historical Society Press) and The Tightening Dark (Da Capo). His short stories have appeared in Storyglossia, Hobart, Mad Hatter’s Review, and Prime Number Magazine, and have been anthologized in the Dzanc Press Best of the Web collections. His nonfiction has appeared in Parameters, Military Review, Infantry, and The Writer. He has served as a foreign area officer and U.S. Army attaché in Oman, Yemen, Uzbekistan, Germany (in support of Ukraine) and lectured at Princeton University. He holds a BA from the University of Wisconsin-Madison, completed the Omani Royal Air Force Staff College in Arabic Language, and holds MAs in Near East Studies from Princeton University and Strategic Studies from the US Army War College.

Read more
David Yoo
David Yoo

David Yoo is the author of the young adult novels Stop Me If You've Heard This One Before (Hyperion) and Girls for Breakfast (Delacorte), the middle grade novel The Detention Club (Balzer + Bray), and the essay collection The Choke Artist (Grand Central). He has published short stories and nonfiction in Massachusetts Review, Rush Hour, Maryland Review, and the anthology Guys Write for Guys Read (Viking). He is also a columnist for KoreAm Journal. He has taught at Pine Manor College, Eckerd College, and CU-Boulder. He holds a BA from Skidmore College and an MA in Creative Writing from the University of Colorado-Boulder.

Read more
Esther Hayes
Esther Hayes

Esther Hayes is a winner of the Stella Kupferberg Memorial Short Story Prize, and her short fiction has been performed on Selected Shorts, published in Electric Literature, Threepenny Review, and Puerto del Sol, and been named Distinguished by the Best American Short Stories series. Her creative nonfiction has appeared in Guernica and the Colorado Review blog. She has worked as an associate editor for the Colorado Review, and taught for Colorado State University and Colgate University. She holds a BFA from the Rhode Island School of Design, and an MFA in Fiction from Colorado State University.

Read more
K Hank Jost
K Hank Jost

K Hank Jost is the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.

Read more
Scott Alexander Hess
Scott Alexander Hess

Scott Alexander Hess is the author of nine novels, including Skyscraper, a Lambda Literary Award Finalist, The Butcher's Sons, named a Kirkus Reviews Best Book of 2015 (both Lethe Press), and Drought (Rebel Satori Press), winner of the Ferro-Grumley Award for LGBTQ+ Fiction, as well as the novellas, A Season in Delhi, The Root of Everything & Lightning (all Rebel Satori Press). His work has appeared in HuffPost, Genre Magazine, The Fix, and Thema Literary Review. He co-wrote “Tom in America,” an award-winning short film, and curates Hot Lit, an LGBTQ+ themed monthly newsletter. He holds a BJ from the University of Missouri-Columbia and an MFA in Fiction from The New School.

Read more
Serrana Laure Gay
Serrana Laure Gay

Serrana Laure Gay has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.

Read more
Susan Breen
Susan Breen

Susan Breen is the author of the novels Merry (Alcove Press), The Fiction Class (Plume/Headline Review UK), and the Maggie Dove mystery series (originally published by Penguin Random House/Alibi and rereleased by Under the Oak Press). Her short stories have appeared in American Literary Review, the Chattahoochee Review, Alfred Hitchcock Mystery Magazine, and Ellery Queen’s Mystery Magazine, as well as the anthologies Best American Nonrequired Reading and Murder Most Diabolical, and she has won the Margery Allingham Short Mystery Competition. She holds a BA from the University of Rochester and an MA in Economics from Columbia University.

Read more