Fiction Writing I
GUIDE TO FICTION COURSES
Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
Also consider Gotham’s premium Zoetrope Fiction Writing classes: Zoetrope Fiction I or Zoetrope Fiction II.
Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.
To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.
Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.
Well worthwhile. I would strongly recommend for those in the early stages of writing.
Ann Wheaton
journalist
Notes
Fiction I encompasses short stories and novels. After Level I, students have a choice of Short Fiction Writing II (focusing on short stories), or Novel II Critique or Novel II First Draft (focusing on novels).
If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses: Science Fiction & Fantasy, Romance, Mystery.
If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take a Children’s Book course, where the full spectrum of children’s books will be covered.
Upcoming Classes NYC COVID Info
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us (contact@gothamwriters.com).
10-Week
-
Online
Anytime, week-long sessions
Tuition: $464 (returning students: $434)
-
NYC
In-person
Tuition: $490 (returning students: $460)
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Zoom
Real-time videoconference
Tuition: $464 (returning students: $434)
-
One-on-One
Tuition: $1895
Syllabus
This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Fiction: The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.
Week 2
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters.
Week 3
Plot: Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining.
Week 4
Point of View: POV defined. Exploration of the many types of POV.
Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view.
Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect.
Week 7
Setting/Pacing: Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks.
Week 8
Voice: Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.
Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.
Week 10
The Business: Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.
Note: Content may vary among individual classes.
Teachers
Alanna Schubach
Alanna Schubach is the author of the novel The Nobodies (Blackstone Publishing). Her short stories have appeared in the Iowa Review, Sewanee Review, Massachusetts Review, Juked, and Electric Literature's Recommended Reading. Her nonfiction has appeared in The Atlantic, The Nation, Jacobin, the Washington Post, the Village Voice, and the LA Review of Books. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.
Read moreCab Tran
Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
Read moreErica Magrin
Erica Magrin has published short stories and essays in Aphros, Our Town, and Teen Ink, among others. Her play Make Believe was produced and staged at the Bridge Theater and the American Theatre of Actors, and her play Conversion was produced Off-Broadway at Theatre 54. She is an editor at Lamplight Publishing, and has worked for Persea Books, Macmillan Publishers, Disney Publishing, and Simon & Schuster. She holds a BA and an MS in Publishing from Pace University.
Read moreJon Gingerich
Jon Gingerich is the author of the novel The Appetite Factory (Turner Publishing), and his short stories have appeared in The Saturday Evening Post, Malahat Review, Pleiades, Grist, Stand Magazine, Helix Magazine, and Oyez Review. His short nonfiction has been published in the Guardian. He is the senior editor of O’Dwyer’s magazine. He holds a BA from Ohio State University and an MFA from The New School.
Read moreLyndsey Ellis
Lyndsey Ellis is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing), and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.
Read moreMichael Backus
Michael Backus is the author of the novel The Vanishing Point (Cactus Moon Books), the memoir The Heart Is Meat (Oil On Water Press), and the chapbook Coney on the Moon (Redbird Chapbooks). His short stories and nonfiction have appeared in One Story, Okey Panky, Channel, Parhelion Literary Review, Jellyfish Review, Cleaver, Digging Through the Fat, Oyster River Pages, Prime Number, and Exquisite Corpse. He has taught at Columbia College and Marymount Manhattan College. He holds a BA from Purdue University and an MFA from Columbia College.
Read moreNelsie Spencer
Nelsie Spencer is the author of the novel The Playgroup, (St. Martin’s Press). She wrote the feature screenplay A Girl's Best Friend and co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media) and hosts the podcast Losing It. She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater and Duke University’s Pre-Broadway series. She performed her one-woman show Day of the Dead Daddy at the Chain Theatre in New York City, at the Denver Fringe Festival, and it won an honorable mention in Solo Fest at the Marsh Theater in San Francisco. She studied dance and theater at Orange Coast College, and fiction at The New School.
Read moreQuinn Adikes
Quinn Adikes has published fiction in Lit Hub, Five Points, Epiphany, the Palisades Review, the Berkeley Fiction Review, december, the Southampton Review, Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing.
Read moreScott Alexander Hess
Scott Alexander Hess is the author of five novels, including Skyscraper, a Lambda Literary Award Finalist, The Butcher's Sons, named a Kirkus Reviews Best Book of 2015 (both Lethe Press), and the novellas, A Season in Delhi, The Root of Everything & Lightning (all Rebel Satori Press). His work has appeared in HuffPost, Genre Magazine, The Fix, and Thema Literary Review. He co-wrote “Tom in America,” an award-winning short film, and curates Hot Lit, an LGBTQ+ themed monthly newsletter. He holds a BJ from the University of Missouri-Columbia and an MFA in Fiction from The New School.
Read moreSerrana Laure Gay
Serrana Laure Gay has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.
Read moreShari Goldhagen
Shari Goldhagen is the author of the novels In Some Other World, Maybe (St. Martins), Family and Other Accidents (Random House) and 100 Days of Cake (Atheneum Books for Young Readers). Her short stories have appeared in Indiana Review, Prism International, Beacon Street Review, and Wascana Review, and her nonfiction has appeared in the National Enquirer, Complete Woman, teenStyle, Ohioana, and Restaurants and Institutions. She is editor of the nonfiction anthology Witches Then and Now (Centennial), and editor-in-chief of Women & Weed magazine. She has taught at Ohio State University. She holds a BSJ from Northwestern University and an MFA in Fiction from Ohio State University.
Read moreVarud Gupta
Varud Gupta is the author of the graphic novels Heer, and Chhotu: A Tale of Partition and Love, and the nonfiction travel memoir Bhagwaan Ke Pakwaan: Food of the Gods (all Penguin Random House). His food and travel articles have appeared in National Geographic and America's Test Kitchen, among others, and his short graphic fiction has appeared in Comixense and Inklab. He has worked as director of the Columbia University Artist/Teachers Program, and taught for Columbia University, the Indian Institute of Art and Design, the Center for Fiction, and 826NYC. He holds a BS from New York University and and MFA in Creative Writing from Columbia University.
Read morez kennedy-lopez
z kennedy-lopez is the fiction editor of the Atticus Review, and their own fiction and essays have appeared in Catapult, Foglifter, Autostraddle, Have Has Had, Storm Cellar, and A Velvet Giant, among many others. They have taught at the University of California, Davis, Rutgers University-Camden, and the Cooper Street Writing Workshops. They hold a BA from Southern Oregon University, an MA in English from the University of California, Davis, and an MFA in Creative Writing from Rutgers University-Camden.
Read moreis the author of the novel The Nobodies (Blackstone Publishing). Her short stories have appeared in the Iowa Review, Sewanee Review, Massachusetts Review, Juked, and Electric Literature's Recommended Reading. Her nonfiction has appeared in The Atlantic, The Nation, Jacobin, the Washington Post, the Village Voice, and the LA Review of Books. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.
has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
has published short stories and essays in Aphros, Our Town, and Teen Ink, among others. Her play Make Believe was produced and staged at the Bridge Theater and the American Theatre of Actors, and her play Conversion was produced Off-Broadway at Theatre 54. She is an editor at Lamplight Publishing, and has worked for Persea Books, Macmillan Publishers, Disney Publishing, and Simon & Schuster. She holds a BA and an MS in Publishing from Pace University.
is the author of the novel The Appetite Factory (Turner Publishing), and his short stories have appeared in The Saturday Evening Post, Malahat Review, Pleiades, Grist, Stand Magazine, Helix Magazine, and Oyez Review. His short nonfiction has been published in the Guardian. He is the senior editor of O’Dwyer’s magazine. He holds a BA from Ohio State University and an MFA from The New School.
is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing), and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.
is the author of the novel The Vanishing Point (Cactus Moon Books), the memoir The Heart Is Meat (Oil On Water Press), and the chapbook Coney on the Moon (Redbird Chapbooks). His short stories and nonfiction have appeared in One Story, Okey Panky, Channel, Parhelion Literary Review, Jellyfish Review, Cleaver, Digging Through the Fat, Oyster River Pages, Prime Number, and Exquisite Corpse. He has taught at Columbia College and Marymount Manhattan College. He holds a BA from Purdue University and an MFA from Columbia College.
is the author of the novel The Playgroup, (St. Martin’s Press). She wrote the feature screenplay A Girl's Best Friend and co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media) and hosts the podcast Losing It. She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater and Duke University’s Pre-Broadway series. She performed her one-woman show Day of the Dead Daddy at the Chain Theatre in New York City, at the Denver Fringe Festival, and it won an honorable mention in Solo Fest at the Marsh Theater in San Francisco. She studied dance and theater at Orange Coast College, and fiction at The New School.
has published fiction in Lit Hub, Five Points, Epiphany, the Palisades Review, the Berkeley Fiction Review, december, the Southampton Review, Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing.
is the author of five novels, including Skyscraper, a Lambda Literary Award Finalist, The Butcher's Sons, named a Kirkus Reviews Best Book of 2015 (both Lethe Press), and the novellas, A Season in Delhi, The Root of Everything & Lightning (all Rebel Satori Press). His work has appeared in HuffPost, Genre Magazine, The Fix, and Thema Literary Review. He co-wrote “Tom in America,” an award-winning short film, and curates Hot Lit, an LGBTQ+ themed monthly newsletter. He holds a BJ from the University of Missouri-Columbia and an MFA in Fiction from The New School.
has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.
is the author of the novels In Some Other World, Maybe (St. Martins), Family and Other Accidents (Random House) and 100 Days of Cake (Atheneum Books for Young Readers). Her short stories have appeared in Indiana Review, Prism International, Beacon Street Review, and Wascana Review, and her nonfiction has appeared in the National Enquirer, Complete Woman, teenStyle, Ohioana, and Restaurants and Institutions. She is editor of the nonfiction anthology Witches Then and Now (Centennial), and editor-in-chief of Women & Weed magazine. She has taught at Ohio State University. She holds a BSJ from Northwestern University and an MFA in Fiction from Ohio State University.
is the author of the graphic novels Heer, and Chhotu: A Tale of Partition and Love, and the nonfiction travel memoir Bhagwaan Ke Pakwaan: Food of the Gods (all Penguin Random House). His food and travel articles have appeared in National Geographic and America's Test Kitchen, among others, and his short graphic fiction has appeared in Comixense and Inklab. He has worked as director of the Columbia University Artist/Teachers Program, and taught for Columbia University, the Indian Institute of Art and Design, the Center for Fiction, and 826NYC. He holds a BS from New York University and and MFA in Creative Writing from Columbia University.
is the fiction editor of the Atticus Review, and their own fiction and essays have appeared in Catapult, Foglifter, Autostraddle, Have Has Had, Storm Cellar, and A Velvet Giant, among many others. They have taught at the University of California, Davis, Rutgers University-Camden, and the Cooper Street Writing Workshops. They hold a BA from Southern Oregon University, an MA in English from the University of California, Davis, and an MFA in Creative Writing from Rutgers University-Camden.