is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong Quarterly, Reckon Review, The Dodge Magazine, Stanchion, Thimble Lit, @TheKeepThings, The Razor, McSweeney's Internet Tendency, Madison Review, The Dinner Party Download, and New Stories from the Midwest, 2018. She has received "The Best of the Net," "Best Small Fictions," and Pushcart nominations for her flash fiction. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.

is the author of the novel Javascotia (Penguin UK). His short stories and essays have appeared in The Guardian, London Times, Mirror, Electric Literature, Long Reads, Puerto Del Sol, The Junction, Belle Ombre, Qwerty, Sundress, Thirty-Two, Cottonwood, and Evansville Review. He has taught at the Loft Literary Center. He holds a BA from the University of St. Thomas and an MFA in Creative Writing from the University of Glasgow.

has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

is the author of the novel How to Date a Superhero (And Not Die Trying) (Katherine Tegan Books/HarperCollins). She has worked as a reporter for TIME for Kids, as a scriptreader for Safehouse Pictures, and for the literary agencies Dystel, Goderich, & Bourret, and Foundry Literary & Media. She holds a BA in Writing from Johns Hopkins University.

is the author of the young adult novels Stop Me If You've Heard This One Before (Hyperion) and Girls for Breakfast (Delacorte), the middle grade novel The Detention Club (Balzer + Bray), and the essay collection The Choke Artist (Grand Central). He has published short stories and nonfiction in Massachusetts Review, Rush Hour, Maryland Review, and the anthology Guys Write for Guys Read (Viking). He is also a columnist for KoreAm Journal. He has taught at Pine Manor College, Eckerd College, and CU-Boulder. He holds a BA from Skidmore College and an MA in Creative Writing from the University of Colorado-Boulder.

has published short stories and essays in Aphros, Our Town, and Teen Ink, among others. Her play Make Believe was produced and staged at the Bridge Theater and the American Theatre of Actors, and her play Conversion was produced Off-Broadway at Theatre 54. She is an editor at Lamplight Publishing, and has worked for Persea Books, Macmillan Publishers, Disney Publishing, and Simon & Schuster. She holds a BA and an MS in Publishing from Pace University.

is the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.

is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing), and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.

has published fiction in Lit Hub, Five Points, Epiphany, the Palisades Review, the Berkeley Fiction Review, december, the Southampton Review, Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing. 

has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.

is the fiction editor of the Atticus Review, and their own fiction and essays have appeared in Catapult, Foglifter, Autostraddle, Have Has Had, Storm Cellar, and A Velvet Giant, among many others. They have taught at the University of California, Davis, Rutgers University-Camden, and the Cooper Street Writing Workshops. They hold a BA from Southern Oregon University, an MA in English from the University of California, Davis, and an MFA in Creative Writing from Rutgers University-Camden.