If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Children’s Book Writing I
GUIDE TO FICTION COURSES
Fiction Pathways
Foundation
If you’re not sure what kind of fiction to write...
If you know what kind of fiction to write...
Fiction Writing I
Zoetrope Fiction Writing I
Science Fiction & Fantasy Writing I
Mystery Writing I
Romance Writing I
Children’s Book Writing I
Or...
If you want a rather short course...
Fiction Writing Intensive
Children’s Book Writing Intensive
Middle Grade/Young Adult Intensive
Humor Writing Intensive
Comics & Graphic Novels
Next Steps
After completing a Level I ten-week course...
Short Fiction II
Zoetrope Short Fiction II
Novel II First Draft Part 1
Novel II Critique
Science Fiction & Fantasy Writing II
Mystery Writing II
Romance Writing II
Children’s Book Writing II
After completing Novel First Draft II Part 1...
After completing Short Fiction II...
Also Helpful
These essential courses are great for writers of any level.
Character
Dialogue
Plot 1: Mechanics
Plot 2: Machinations
Reading Fiction
In(verse): Poetic Techniques for Non-Poets
The Writer’s Mind
The Editor’s Eye
Grammar 1: The Basics
Grammar 2: Expertise and Finesse
Social Media
For Teens
Children’s Book Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.
The quiet magic of Goodnight Moon grows into the zaniness of Dr. Seuss and widens into the dazzlement of Harry Potter then matures into the straight talk of Judy Blume and the gritty reality of The Hate U Give. Such is the amazing journey children take through books. These stories are a treasured part of childhood and they linger for a lifetime.
To captivate young readers, you must balance a youthful imagination with an adult professionalism. Here you will learn about the various types of children’s books and their special requirements, as well as fiction craft and how to market your work.
Whatever type of children’s book you seek to write—picture books, easy readers, chapter books, middle grade, young adult—we’ll show you how to write stories that entrance.
This course has been the X factor that I have been looking for to get me jump-started.
Georgia Mansur
artist (painter)
Notes
Our Children’s Book courses cover the full spectrum of children’s books, from picture books to YA novels. Many children’s books authors write books for various age levels. The focus is mostly on fiction, but writers are welcome to work on nonfiction children’s books.
If you want to work on a YA novel, you may do so in our Children’s Book courses, or in Fiction I or (at the advanced level) Novel II First Draft and Novel II Critique, or our genre courses: Science Fiction & Fantasy, Mystery, Romance. The difference: In a Children’s Book course, you will be learning about and reading works for various age levels; in the other courses, you will be learning about and reading works for adults. This is fine because YA novels are very close to adult novels.
Upcoming Classes
NYC COVID Info
10-Week
-
Zoom
Real-time videoconference
Tuition: $439 (returning students: $409)
-
Online
Anytime, week-long sessions
Tuition: $439 (returning students: $409)
-
One-on-One
Tuition: $1,895
Syllabus
This course gives you a firm grounding in the basics of writing children’s books and gets you writing a book. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
Introduction to Children’s Books: The different categories of children’s books. Constants and variables in children’s books. Vocabulary, darkness, humor, series, anthropomorphism. Specific requirements of picture books. Where to find inspiration and ideas. The importance of craft.
Week 2
Plot: Finding a major dramatic question. Shaping a picture book plot. Shaping a longer book plot. Pros and cons of outlining.
Week 3
Character: Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters. Animal characters.
Week 4
Point of View/Voice: Point of view defined. Exploration of the various types of point of view. Voice defined. Exploration of the various types of voice. Tips for finding your voice.
Week 5
Description: Using the senses. Specificity. Techniques for creativity. Finding the right words. Economy. Merging description with point of view.
Week 6
Dialogue: The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext.
Week 7
Setting/Fantasy: Creating setting through time, place, and weather. Description of setting. When setting is a major character. Fantasy logic and details. Finding a fresh fantasy world.
Week 8
Nonfiction: Pros of writing a nonfiction children's book. The spectrum of nonfiction. Shaping nonfiction into a story. Choosing a topic. Nonfiction book proposals.
Week 9
Theme/Revision: Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.
Week 10
The Business: Proper format for manuscripts. How to target publishing houses and agents. How to send your work out. Query letters.
Note: Content may vary among individual classes.
Teachers
Erik Kraft
Erik Kraft is the author of the chapter book series Lenny and Mel (Simon & Schuster), the picture book Chocolatina (Bridgewater Books), and the middle grade novel Miracle Wimp (Little, Brown). He’s also the webmaster for the Littleton Cultural Council, founder of the former blog/podcast Too Many Chickens!, and illustrator for the former blog Cats in the Alley. He has taught at Columbia University and Grub Street Writers in Boston. He holds a BA from the University of Massachusetts, an MFA in Writing for Children from Vermont College, and an ALM in Dramatic Arts from the Harvard Extension School.
Read more
Margaret Meacham
Margaret Meacham has published many books for children, including the middle grade novels Oyster Moon, The Secret of Heron Creek (both Tidewater), A Mid-Semester Night's Dream (Scholastic), Quiet! You're Invisible, A Fairy's Guide to Understanding Humans (both Holiday House), and The Ghosts of Laurelford (Sunbury). She is also the author of the adult mystery novel The Survival of Sarah Landing (Sunbury). Her articles and short stories have appeared in Library Journal, Country Magazine, Successful Student Magazine, Maryland Magazine, Highlights for Children, Baltimore Magazine, and the Baltimore Sun. She has taught at Goucher College and Towson University. She holds a BA from Trinity College and an MLIS from the University of Maryland.
Read moreErik Kraft
Erik Kraft
is the author of the chapter book series Lenny and Mel (Simon & Schuster), the picture book Chocolatina (Bridgewater Books), and the middle grade novel Miracle Wimp (Little, Brown). He’s also the webmaster for the Littleton Cultural Council, founder of the former blog/podcast Too Many Chickens!, and illustrator for the former blog Cats in the Alley. He has taught at Columbia University and Grub Street Writers in Boston. He holds a BA from the University of Massachusetts, an MFA in Writing for Children from Vermont College, and an ALM in Dramatic Arts from the Harvard Extension School.
Margaret Meacham
Margaret Meacham
has published many books for children, including the middle grade novels Oyster Moon, The Secret of Heron Creek (both Tidewater), A Mid-Semester Night's Dream (Scholastic), Quiet! You're Invisible, A Fairy's Guide to Understanding Humans (both Holiday House), and The Ghosts of Laurelford (Sunbury). She is also the author of the adult mystery novel The Survival of Sarah Landing (Sunbury). Her articles and short stories have appeared in Library Journal, Country Magazine, Successful Student Magazine, Maryland Magazine, Highlights for Children, Baltimore Magazine, and the Baltimore Sun. She has taught at Goucher College and Towson University. She holds a BA from Trinity College and an MLIS from the University of Maryland.
