Writing Scripts 101
GUIDE TO SCRIPTWRITING COURSESWriting Scripts 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.
Do you dream of seeing your work performed, up there, somewhere? A spellbinding movie. An addictive TV show. A gripping play. The thrill of scriptwriting is that, if you’re lucky, you get to see your work soar to life once all the elements—the work of directors, designers, cast, crew—are added to the vision of your script.
Here you’ll gain an introduction to writing for movies, TV, and plays, and you’ll also learn techniques fundamental to all forms of scriptwriting. It’s a sampler platter, with no pressure to work on a specific project or settle on which type of scriptwriting you prefer.
If you’re eager to enter the excitement of writing scripts, the show begins right here.
If you ever wondered whether you'd be good at play, screen or TV writing, and which one would be the one for you, this is a great introductory course that will answer all of your questions.
Caroline Couderc
translator
Notes
This course includes screenwriting, TV writing, and playwriting.
The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.
Upcoming Classes
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Price
Registration fee $25, paid once per term
6-Week
-
Zoom
Real-time videoconference
Tuition: $339
-
One-on-One
Tuition: $1,195
Syllabus
This course explores the major types of scriptwriting, and the techniques that go with them. Course components:
Brief lectures
Writing exercises
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
The Big Picture: Desire and conflict. Dramatic structure. Character—personality, actions, change.
Week 2
Scenes: Objective/obstacle. Scene pointers—beginning/middle/end, compression, stage directions, Dialogue—illusion of reality, reflecting character and situation, subtext.
Week 3
Playwriting: What makes it a play?—live-ness, theatricality, scene approach. Shaping a play—plot, character, and other considerations. Play scenes analyzed.
Week 4
Screenwriting: What makes it a movie?—Hollywood vs. indie, visual storytelling, scene approach. Shaping a movie—plot, character, and other considerations. Movie scenes analyzed.
Week 5
TV Writing: What makes it a TV show?—stories expanded over time, serial vs. episodic, types and forms. Shaping a TV episode—plot, character, and other considerations. TV scenes analyzed.
Week 6
The Dramatic Life: Getting ideas. Studying and stealing. Doing it—writing and revising, finding production.
Note: Content may vary among individual classes.
Teachers
Kuros Charney
Kuros Charney has had plays produced at numerous theaters, including Shame and Desire (Stella Adler Theatre), The Man from Brazoria County (ALAP New Works Lab), The Moving Forward of Souls (Coronet Theater), Anger (Elephant Theatre), and The Humanist (Dayton Playhouse). He wrote the feature film Another City, which premiered at the Manhattan Film Festival, and the feature screenplays Used Books, which was developed with actor/producer LeVar Burton (Eagle Nation Films), and The Sea Between, commissioned by producer Elizabeth Kahn (Forever After Project, Inc.). His work has appeared in New York magazine, Another Chicago Magazine, and FOLIO. He holds a BA from UC-San Diego and an MFA in Film from USC.
Read morehas had plays produced at numerous theaters, including Shame and Desire (Stella Adler Theatre), The Man from Brazoria County (ALAP New Works Lab), The Moving Forward of Souls (Coronet Theater), Anger (Elephant Theatre), and The Humanist (Dayton Playhouse). He wrote the feature film Another City, which premiered at the Manhattan Film Festival, and the feature screenplays Used Books, which was developed with actor/producer LeVar Burton (Eagle Nation Films), and The Sea Between, commissioned by producer Elizabeth Kahn (Forever After Project, Inc.). His work has appeared in New York magazine, Another Chicago Magazine, and FOLIO. He holds a BA from UC-San Diego and an MFA in Film from USC.