Up next:
Playwriting I
Playwriting Intensive

The Playwriting Intensive happens in a short time span (1 day in NYC, or 2 days on Zoom). It’s open to writers of any level. Farther down, you can view a syllabus for this course.

The lights in the theater dim, and a play begins. Nothing beats the intensity of actors sharing the same air as the audience. The laughs and gasps and tears happen live, on the spot. And a play can be staged anywhere, from an empty space surrounded by folding chairs to a plush Broadway house.

A play will not soar in performance unless it’s great on the page. Here you’ll learn how to write for the stage and how to market your work.

Whether you seek to write one-acts or full-lengths or musicals, we’ll show you how to write plays that draw the big applause.

About Playwriting
Playwriting Intensive

I had not even a clue on how to start writing a play. Now I think I could start and finish one.

Corinne Dorso

asst. to the treasurer

Upcoming Classes

InfoZoom classes are being scheduled. Please check back soon.

Price

Registration fee $25, paid once per term

1-Day

Syllabus

This course gives an overview of the basics of playwriting craft. Course components:
     Brief lectures
     Writing exercises

Topics:
     Character
     Structure
     Theatricality
     Dialogue
     Scene
     Production

Note: Content may vary among individual classes.

Teachers

Kuros Charney
Kuros Charney

Kuros Charney has had plays produced at numerous theaters, including Shame and Desire (Stella Adler Theatre), The Man from Brazoria County (ALAP New Works Lab), The Moving Forward of Souls (Coronet Theater), Anger (Elephant Theatre), and The Humanist (Dayton Playhouse). He wrote the feature film Another City, which premiered at the Manhattan Film Festival, and the feature screenplays Used Books, which was developed with actor/producer LeVar Burton (Eagle Nation Films), and The Sea Between, commissioned by producer Elizabeth Kahn (Forever After Project, Inc.). His work has appeared in New York magazine, Another Chicago Magazine, and FOLIO. He holds a BA from UC-San Diego and an MFA in Film from USC.

Read more