See also:
Creative Writing 101 Intensive

Creative Writing 101

Creative Writing 101

Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?

Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.

Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.

About Creative Writing 101
Creative Writing 101

A fun, challenging experience that helped me figure out what I want out of life.

Adrienne Morain

hostess

Notes

This course includes both fiction and nonfiction prose.

The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.

Upcoming Classes NYC COVID Info

If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.

If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).

Price

Registration fee $25, paid once per term

6-Week

Syllabus

This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
     Lectures
     Writing exercises

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.

Week 2 
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.

Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.

Week 4 
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.

Week 5 
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.

Week 6 
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?

Note: Content may vary among individual classes.

Teachers

Arlaina Tibensky
Arlaina Tibensky

Arlaina Tibensky is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short stories and nonfiction have appeared in One Story, SmokeLong QuarterlyMcSweeney's, Madison ReviewThe Dinner Party DownloadNew Stories from the Midwest 2018 (New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.

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Cab Tran
Cab Tran

Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press, forthcoming), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

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Divya Sood
Divya Sood

Divya Sood is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review. She has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

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Janet Flora
Janet Flora

Janet Flora has published nonfiction in Yalabusha Review, Willow Review, Forge, and the Sanskrit Literary-Arts Magazine. Her short stories have appeared in New Orleans Review, North Dakota Quarterly, Portland Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from The New School.

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K Hank Jost
K Hank Jost

K Hank Jost is the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.

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Kyleigh Leddy
Kyleigh Leddy

Kyleigh Leddy is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine, Parents, People, QCODE, and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.

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Marissa Walsh
Marissa Walsh

Marissa Walsh is the author of the picture book One Scoop or Two? And Other Ice Cream Questions (Union Square Books, forthcoming), the YA novel A Field Guide to High School (Delacorte Press), the memoir Girl with Glasses (Simon and Schuster), and the nonfiction book Tipsy in Madras (Penguin). She edited the anthologies Not Like I'm Jealous or Anything (Delacorte Press) and Does this Book Make Me Look Fat? (Clarion Books). She has worked as a literary agent with Fine Print Literary Management and as an editor at Random House. She holds a BA from Smith College.

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Salma Zarook
Salma Zarook

Salma Zarook wrote Salam From Salma, a travel and lifestyle blog, and now writes for Medium. Her essays and poetry have appeared in Pasadena Now and Voiceworks, and one of her short stories won the Australia-wide Write4Fun competition. She has taught for Johns Hopkins University, the New Horizon School LA, the Islamic Center of Southern California, and Five Tuition in Melbourne, Australia. She holds a BA from the University of Melbourne.

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Stephanie Stuve-Bodeen
Stephanie Stuve-Bodeen

Stephanie Stuve-Bodeen is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour, the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.

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