See also:
Creative Writing 101 Intensive

Creative Writing 101

Creative Writing 101

Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?

Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.

Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.

About Creative Writing 101
Creative Writing 101

The course and the instructor have awakened in me a passion for writing I didn’t know I had.

Sandra Feria

office assistant

Notes

This course includes both fiction and nonfiction prose.

The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.

Upcoming Classes

  • Starts Wednesday, October 28
    NYC, 7pm – 10pm ET
    6-Week Class
  • Starts Tuesday, September 8
    Online, anytime
    6-Week Class

Price

Registration fee $25, paid once per term

6-Week

Syllabus

This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
     Lectures
     Writing exercises

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.

Week 2 
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.

Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.

Week 4 
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.

Week 5 
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.

Week 6 
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?

Note: Content may vary among individual classes.

Teachers

Adela Brito
Adela Brito

Adela Brito has published short stories in Acentos Review, the Sandy River Review, Litbreak Magazine, Hieroglyph, and Moko Magazine, and she is a former fiction editor of The Pinch literary journal. Her nonfiction and poetry have appeared or are forthcoming in Writer’s Digest, Cathexis Northwest Press, Underwood, Adelaide Literary Magazine, All About Jazz, c-nf, Counterculture UK, and Storyboard Memphis. She has taught at the University of Memphis and Nashville State Community College. She holds a BA from Florida International University and an MFA in Fiction from the University of Memphis.

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Carmen Bugan
Carmen Bugan

Carmen Bugan is the author of the memoir Burying the Typewriter (Picador), the essay collection Poetry and the Language of Oppression (Oxford University), and the poetry collections Tristia, Time Being, Lillies from America, Releasing the Porcelain Birds, The House of Straw (all Shearsman Books), Sulla Soglia Della Dimenticanza (Kolibris), and Crossing the Carpathians (Carcanet Press), as well as the monograph Seamus Heaney and East European Poetry in Translation: Poetics of Exile (Routledge). Her poems and essays have appeared in the Irish Times, Harvard Review, the International Literature Quarterly, the Nieman Storyboard, and the anthologies Centres of Catacylsm (Bloodaxe Books), See How I Land (Heaven Tree Press), and Penguin’s Poems for Life (Penguin). She has taught at New York University in Abu Dhabi, Stony Brook University, the University of Michigan, Grand Valley State University, the University of Fribourg, the Geneva Writers’ Group, and Oxford University. She holds a BA from the University of Michigan, an MA in Creative Writing from Lancaster University, and a Master’s and Ph.D, both in English Literature, from Oxford University.

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Divya Sood
Divya Sood

Divya Sood is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review. She has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

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Jaime Karnes
Jaime Karnes

Jaime Karnes has published fiction and nonfiction in Granta, Adirondack Review, Opium Magazine, and PopMatters. She is an editor-at-large in fiction at The Utopian. She has taught at Rutgers and Southern New Hampshire University. She holds a BA from the University of Kansas and an MFA in Fiction from Rutgers-Newark University.

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John Oliver Hodges
John Oliver Hodges

John Oliver Hodges is the author of the novel Quizzleboon (Perpetual Motion Machine Press); the short story collections Luv Slaps (Broken Tribe Press), and The Love Box (Livingston Press); and the novella War of the Crazies (Main Street Rag). His short stories have appeared in appeared in Southern Cultures Magazine, American Short Fiction, New World Writing, and Texas Review. He has taught at Florida State University, the University of Mississippi, and the Sewanee Young Writers’ Conference. He holds a BA and an MA in Creative Writing from Florida State University, and an MFA in Creative Writing from the University of Mississippi.

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Miriam Datskovsky
Miriam Datskovsky

Miriam Datskovsky was a writer for the series Speechless (ABC Television) and a writers' assistant for The Carrie Diaries (The CW). She developed the original pilot Hacked for Bluegrass FanFare at ABC Studios, and worked as a development associate for Silver and Gold Productions. Her pilot Missed Connections made Amazon's Consider List, and other original pilots have been finalists for the Creative World Awards and the Screencraft Pilot Launch awards. Her journalism and essays have appeared in Los Angeles magazine, New York magazine, Condé Nast Portfolio, Brides, and Ravishly. She has taught at the Posse Foundation and volunteered with WriteGirl. She holds a BA from Columbia University. 

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Mo Krochmal
Mo Krochmal

Mo Krochmal is the executive editor and founder of Social Media News NY. He was a founding producer for the New York Times website, senior editor of GenomeWeb, executive producer of Nassau News Live, and New York editor for TechWeb. He has written for United Press International, the New York Times, the Danbury News-Times, the Wilson Daily Times, and the Washington Daily News. He is the vice president of the New York City chapter of the National Association of Hispanic Journalists. He has facilitated professional communication training at the Courts of the United States, the US Patent and Technology Office, and Health Security Partners in Washington, DC. He has taught at Fairleigh Dickinson University, Hofstra University, Quinnipiac University, and the Graduate School of Journalism at Columbia University. He holds a BA from North Carolina State University and an MS in Journalism from Columbia University.

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Omari Chancellor
Omari Chancellor

Omari Chancellor has published short fiction in Vol. 1 Brooklyn, Brainwxsh, Still Life, and Soft Punk. He wrote and directed the short films The One, which appeared in several film festivals including the Ohio Valley Film Festival, and SwimLessons for The Believer magazine. He has taught at Spotlight Kids NY and the 52nd Street Project. He holds a BFA from Roanoke College and an MFA from New York University.

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Radhika Sharma
Radhika Sharma

Radhika Sharma is the author of the novel Mangoes for Monkeys and the short story collection Parikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in the Santa Clara Review and The Fanzine, and her essays, reviews, and articles have appeared in the San Jose Mercury News, the San Francisco Chronicle, the Times of India, the Economic Times, Pacific Time, Perspectives, In the Fray, and the Forum on KQED FM, among many others. She is a former assistant fiction editor for 14Hills literary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.

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Scott LaCounte
Scott LaCounte

Scott LaCounte (also writing as Scott Douglas) is a long-time contributor to McSweeney’s, from which his humor series was turned into the memoir Quiet, Please: Dispatches From a Public Librarian (Da Capo Books). He has independently published a wide range of books on religion, as well as books for children and in the science fiction and humor genres. He holds a BA from California State University-Fullerton, and an MLIS in Library Science from San Jose State University.

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Serrana Laure Gay
Serrana Laure Gay

Serrana Laure Gay has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.

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