If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Creative Writing 101
Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.
Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?
Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.
Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.
If you're looking to expand or explore your talent for writing, this course will do both. Take the course and enjoy the ride
Bill Elliott
project manager
Notes
This course includes both fiction and nonfiction prose.
The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.
Upcoming Classes
NYC COVID Info
-
-
You can still enroll in this class.
Price
Registration fee $25, paid once per term
6-Week
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Zoom
Real-time videoconference
Tuition: $339
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Online
Anytime, week-long sessions
Tuition: $339
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One-on-One
Tuition: $1,195
Syllabus
This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
Lectures
Writing exercises
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.
Week 2
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.
Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.
Week 4
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.
Week 5
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.
Week 6
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?
Note: Content may vary among individual classes.
Teachers
Britt Gambino
Britt Gambino has published poetry in Armchair/Shotgun, anderbo, The Boiler, decomP, and Springgun Press, and her poem "In Bloom" was featured in an ad for 1-800-Flowers. She has served as a contributing writer at The Sexy Feminist blog and as an Associate Poetry Editor at The Doctor T.J. Eckleberg Review. She has taught at Education Unlimited, Brooklyn Brainery, and 826 NYC. She holds a BA from Drew University and an MFA in Poetry from The New School.
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Cab Tran
Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press, forthcoming), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
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Janet Flora
Janet Flora has published nonfiction in Yalabusha Review, Willow Review, Forge, and the Sanskrit Literary-Arts Magazine. Her short stories have appeared in New Orleans Review, North Dakota Quarterly, Portland Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from The New School.
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Salma Zarook
Salma Zarook wrote Salam From Salma, a travel and lifestyle blog, and now writes for Medium. Her essays and poetry have appeared in Pasadena Now and Voiceworks, and one of her short stories won the Australia-wide Write4Fun competition. She has taught for Johns Hopkins University, the New Horizon School LA, the Islamic Center of Southern California, and Five Tuition in Melbourne, Australia. She holds a BA from the University of Melbourne.
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Stephanie Stuve-Bodeen
Stephanie Stuve-Bodeen is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour, the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.
Read moreBritt Gambino
Britt Gambino
has published poetry in Armchair/Shotgun, anderbo, The Boiler, decomP, and Springgun Press, and her poem "In Bloom" was featured in an ad for 1-800-Flowers. She has served as a contributing writer at The Sexy Feminist blog and as an Associate Poetry Editor at The Doctor T.J. Eckleberg Review. She has taught at Education Unlimited, Brooklyn Brainery, and 826 NYC. She holds a BA from Drew University and an MFA in Poetry from The New School.
Cab Tran
Cab Tran
has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press, forthcoming), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
Janet Flora
Janet Flora
has published nonfiction in Yalabusha Review, Willow Review, Forge, and the Sanskrit Literary-Arts Magazine. Her short stories have appeared in New Orleans Review, North Dakota Quarterly, Portland Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from The New School.
Salma Zarook
Salma Zarook
wrote Salam From Salma, a travel and lifestyle blog, and now writes for Medium. Her essays and poetry have appeared in Pasadena Now and Voiceworks, and one of her short stories won the Australia-wide Write4Fun competition. She has taught for Johns Hopkins University, the New Horizon School LA, the Islamic Center of Southern California, and Five Tuition in Melbourne, Australia. She holds a BA from the University of Melbourne.
Stephanie Stuve-Bodeen
Stephanie Stuve-Bodeen
is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour, the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.
Related Courses
Fiction Writing I
The fascinating craft of fiction—literary, commercial, or genre.
Memoir Writing I
True stories about aspects of the writer’s life, whether essay or book-length.
Creative Nonfiction 101
A great entry point for the creative forms of nonfiction—memoir, essay, feature articles, reviews, etc.
