See also:
Creative Writing 101 Intensive

Creative Writing 101

Creative Writing 101

Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?

Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.

Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.

About Creative Writing 101
Creative Writing 101

A whirlwind of a course, covering many different aspects of creative writing.

Dinsdale Raddatz

bookkeeper

Notes

This course includes both fiction and nonfiction prose.

The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.

Upcoming Classes NYC COVID Info

Masks are not required, but we’ll provide masks for those who want them. We are no longer requesting proof of vaccination.

More Covid details

Price

Registration fee $25, paid once per term

6-Week

Syllabus

This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
     Lectures
     Writing exercises

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.

Week 2 
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.

Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.

Week 4 
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.

Week 5 
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.

Week 6 
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?

Note: Content may vary among individual classes.

Teachers

Angie Chatman
Angie Chatman

Angie Chatman has told stories on The MOTH Radio Hour, StoryCollider, Stories from the Stage (The World Channel), and Boston's Fugitive Stories. Her essays and short fiction are forthcoming or have appeared in Iron Horse Literary Review, Taint, Taint, Taint, Pangyrus, the Rumpus, Blood Orange Review, Hippocampus, and Business Insider, among others. She  She has taught for the Boston Public Library and the University of Hartford. She holds an MBA from MIT-Sloan, and an MFA in Fiction and Creative Nonfiction from Queens University of Charlotte.

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Cab Tran
Cab Tran

Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

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Cristina Fernandez
Cristina Fernandez

Cristina Fernandez is the author of the novel How to Date a Superhero (And Not Die Trying) (Katherine Tegan Books/HarperCollins). She has worked as a reporter for TIME for Kids, as a scriptreader for Safehouse Pictures, and for the literary agencies Dystel, Goderich, & Bourret, and Foundry Literary & Media. She holds a BA in Writing from Johns Hopkins University.

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Divya Sood
Divya Sood

Divya Sood is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review. She has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

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Justine Teu
Justine Teu

Justine Teu has published short fiction in Passages North, Storm Cellar, The Offing, Pidgeonholes, VIDA Lit, LEVEE magazine, and Pigeon Pages, among others, and her essays have appeared in Craft Literary, the Binghamton Journal of History, and Binghamton Writes. She has taught for WriteOn and for BuzzFeed. She holds a BA from the State University of New York-Binghamton and an MFA in Fiction from the New School.

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K Hank Jost
K Hank Jost

K Hank Jost is the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.

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Kyleigh Leddy
Kyleigh Leddy

Kyleigh Leddy is the author of the memoir The Perfect Other: A Memoir of My Sister (HarperCollins), which is based on her New York Times Modern Love essay “My Sister Disappeared Years Ago. I See Her Whenever I Want.” Her essays and articles have also appeared in New York Magazine, Parents, People, QCODE, and the Journal of Experimental Psychology, among others. She has worked for Parents magazine. She holds a BA from Boston College and an MSW from Columbia University.

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Lyndsey Ellis
Lyndsey Ellis

Lyndsey Ellis is the author of the novel Bone Broth (Hidden Timber Books), and her short fiction has been published in Kweli Journal, Joyland, the Santa Monica Review, Parhelion, the Stockholm Review of Literature, and Orca, A Literary Journal, among many others. Her work has been anthologized in Golden State 2017: Best New Writing from California (Outpost 19 Books), Black in the Middle: An Anthology of the Black Midwest (Belt Publishing)and Crick! Crack!: Poems and Stories by Emerging Writers (The Bonfire Collective). She wrote the Memory Book column for Catapult magazine, blogged at For Harriet, and was fiction editor for The Account: A Journal of Poetry, Prose, and Thought. She has taught for the Loft Literary Center, the California Writers’ Club, Your Words STL, and midnight & indigo. She holds a BA from the University of Missouri-Columbia, and an MFA in Writing from California College of the Arts.

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Marissa Walsh
Marissa Walsh

Marissa Walsh is the author of the picture book One Scoop or Two? And Other Ice Cream Questions (Union Square Books, forthcoming), the YA novel A Field Guide to High School (Delacorte Press), the memoir Girl with Glasses (Simon and Schuster), and the nonfiction book Tipsy in Madras (Penguin). She edited the anthologies Not Like I'm Jealous or Anything (Delacorte Press) and Does this Book Make Me Look Fat? (Clarion Books). She has worked as a literary agent with Fine Print Literary Management and as an editor at Random House. She holds a BA from Smith College.

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Mo Krochmal
Mo Krochmal

Mo Krochmal is the executive editor and founder of Social Media News NY. He was a founding producer for the New York Times website, senior editor of GenomeWeb, executive producer of Nassau News Live, and New York editor for TechWeb. He has written for United Press International, the New York Times, the Danbury News-Times, the Wilson Daily Times, and the Washington Daily News. He is the vice president of the New York City chapter of the National Association of Hispanic Journalists. He has facilitated professional communication training at the Courts of the United States, the US Patent and Technology Office, and Health Security Partners in Washington, DC. He has taught at Fairleigh Dickinson University, Hofstra University, Quinnipiac University, and the Graduate School of Journalism at Columbia University. He holds a BA from North Carolina State University and an MS in Journalism from Columbia University.

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Pamela Harris
Pamela Harris

Pamela Harris has had TV pilots packaged with 20th Century Fox and others, and served as a staff writer for Life on the Line, a one-hour drama (Oxygen Network). She wrote the feature screenplay Joyville, which was selected for the Writers Lab, a program sponsored by Meryl Streep, Nicole Kidman and Oprah Winfrey, and was a finalist for the WGA/FilmNation Fellowship. She directed and co-wrote a short film, En Route, that screened at many festivals including Soho International, Vermont Music and Film, and Adirondack. Pamela is also an award-winning visual artist and has exhibited extensively. She holds a BFA from the Hartford Art School.

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Stephanie Stuve-Bodeen
Stephanie Stuve-Bodeen

Stephanie Stuve-Bodeen is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour, the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.

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