See also:
Creative Writing 101 Intensive

Creative Writing 101

Creative Writing 101

Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.

Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?

Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.

Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.

About Creative Writing 101
Creative Writing 101

Provides new perspective, pushes you out of your comfort zone, creates confidence for future projects, and boosts creativity.

Channing Gibb

blogger

Notes

This course includes both fiction and nonfiction prose.

The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.

Upcoming Classes NYC COVID Info

Masks are not required, but we’ll provide masks for those who want them. We are no longer requesting proof of vaccination.

More Covid details
  • Starts Tuesday, June 4 1 spot left
    Online, anytime
    6-Week Class

Price

Registration fee $25, paid once per term

6-Week

Syllabus

This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
     Lectures
     Writing exercises

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes 
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.

Week 2 
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.

Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.

Week 4 
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.

Week 5 
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.

Week 6 
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?

Note: Content may vary among individual classes.

Teachers

Adela Brito
Adela Brito

Adela Brito has published short stories in Acentos Review, the Sandy River Review, Litbreak Magazine, Hieroglyph, and Moko Magazine, and she is a former fiction editor of The Pinch literary journal. Her nonfiction and poetry have appeared or are forthcoming in Writer’s Digest, Cathexis Northwest Press, Underwood, Adelaide Literary Magazine, All About Jazz, c-nf, Counterculture UK, and Storyboard Memphis. She has taught at the University of Memphis and Nashville State Community College. She holds a BA from Florida International University and an MFA in Fiction from the University of Memphis.

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Divya Sood
Divya Sood

Divya Sood is the author of the novels Find Someone to Love and Nights Like This (both Riverdale Avenue Books). Her short stories have won the New Jersey Arts and Letters First Prize for Short Fiction and appeared in The Masters Review. She has taught at Rutgers University and Southern New Hampshire University. She holds a BA from Rutgers University, an MA in English, and an MFA in Fiction, both from New York University. 

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Laura Yeager
Laura Yeager

Laura Yeager is the author of the short story collection First Aid and Other Stories (Iowa State) and the essay chapbook Cancer Loot (excerpted by Cancer Wellness). Her fiction has  appeared in Paris Review, Missouri Review, North American Review, and Kaleidoscope; her personal essays have appeared at Aleteia, Skirt magazine, Dogster, the National Catholic Reporter, Guideposts, and bp Magazine; and her craft essays have appeared in Funds for Writers, WOW—Women on Writing, and Writers Weekly. She blogs for Cure Today and PsychCentral. She has taught at Kent State University, Kirkwood Community College, and Rhode Island School of Design. She holds a BA from Oberlin College, an MA in English from Iowa State University, and an MFA in English from the University of Iowa.

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Stephanie Stuve-Bodeen
Stephanie Stuve-Bodeen

Stephanie Stuve-Bodeen is the author of the young adult Compound series, the young adult novels The Tomb, The Raft, The Detour, the middle grade Shipwreck Island series (all Feiwel and Friends), and the Elizabeti series of picture books (Lee & Low). She has taught at the Whidbey Island Writer’s Workshop. She holds a BS from the University of Wisconsin-River Falls and an MFA in Writing from Spalding University.

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