If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Creative Writing 101
Creative Writing 101 is a 6-week class, which includes a mixture of lectures and exercises. It’s for beginners or anyone who wants a refresher. Farther down, you can view a syllabus for this course.
Are you eager to test the waters of creative writing but not sure where to start, or how? Have you written previously but been away for a while and hope to dip back in?
Here you will be guided surely and safely into the writing life. There’s no pressure to work on a specific project or even settle on which type of creative writing you prefer. The idea is to explore—see with a writer’s eyes, spark ideas to life, gain confidence, and experiment with both fiction and nonfiction.
Creative writing is one of the most fulfilling ways to express yourself, and you’re never too young or too old to give it a try. Come on in. The water’s fine.
The class was just what I was looking for: a jump-start to my writing with a variety of different exercises to get my creative juices flowing.
Corinne McKay
translator
Notes
This course includes both fiction and nonfiction prose.
The 101 courses do not include workshopping of student projects, but students write and receive feedback on writing exercises and assignments.
Price
Registration fee $25, paid once per term
6-Week
-
Online
Anytime, week-long sessions
Tuition: $339
-
NYC
In-person
Tuition: $355
-
Zoom
Real-time videoconference
Tuition: $339
-
One-on-One
Tuition: $1195
Syllabus
This course explores fiction and types of creative nonfiction, and the techniques that go with them. Course components:
Lectures
Writing exercises
New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.
Online classes
Week 1
OIL: The importance of having fun with writing. Exploration of the cornerstones of creative writing—observation, imagination, language.
Week 2
Show and Tell: Understanding the difference between showing and telling. Techniques for showing—sensory, specificity, scenes.
Week 3
Individuality: The power of a journal. Writing what you know. Writing what you want to know. Finding your individual voice.
Week 4
Fiction: The types and forms of fiction. Where to find fiction ideas. The basics of creating a story—characters, plot, point of view.
Week 5
Nonfiction: Exploration of three types of creative nonfiction writing—memoir, personal essays, narrative nonfiction. Where to find nonfiction ideas.
Week 6
Getting Better: Good habits. Battling the blank page. Revision. Reading as a writer. Where to go next?
Note: Content may vary among individual classes.
Teachers
Angela Lam
Angela Lam is the author of the memoir Red Eggs and Good Luck (She Writes Press), the novels Friends First, The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), and Blood Moon Rising (Eternal Press), and the short story collections Water Baby and Other Stories (Gross Productions), and The Human Act and Other Stories (All Things That Matter Press). Her nonfiction has appeared in The Sun, the San Jose Mercury News, SFGate, the Portland Book Review, and the Bohemian. She holds a BA from Sonoma State University.
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Cab Tran
Cab Tran has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
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Cristina Fernandez
Cristina Fernandez is the author of the novel How to Date a Superhero (And Not Die Trying) (Katherine Tegan Books/HarperCollins). She has worked as a reporter for TIME for Kids, as a scriptreader for Safehouse Pictures, and for the literary agencies Dystel, Goderich, & Bourret, and Foundry Literary & Media. She holds a BA in Writing from Johns Hopkins University.
Read more
Cullen Thomas
Cullen Thomas is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
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John Oliver Hodges
John Oliver Hodges is the author of the novel Quizzleboon (Perpetual Motion Machine Press), the short story collection The Love Box (Livingston Press), and the novella War of the Crazies (Main Street Rag). His short stories have appeared in appeared in Southern Cultures Magazine, American Short Fiction, New World Writing, and Texas Review. He has taught at Florida State University, the University of Mississippi, and the Sewanee Young Writers’ Conference. He holds a BA and an MA in Creative Writing from Florida State University, and an MFA in Creative Writing from the University of Mississippi.
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Omari Chancellor
Omari Chancellor has published short fiction in Vol. 1 Brooklyn, Brainwxsh, Still Life, and Soft Punk. He wrote and directed the short films The One, which appeared in several film festivals including the Ohio Valley Film Festival, and SwimLessons for The Believer magazine. He has taught at Spotlight Kids NY and the 52nd Street Project. He holds a BFA from Roanoke College and an MFA from New York University.
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Pamela Harris
Pamela Harris has had TV pilots packaged with 20th Century Fox and others, and served as a staff writer for Life on the Line, a one-hour drama (Oxygen Network). She wrote the feature screenplay Joyville, which was selected for the Writers Lab, a program sponsored by Meryl Streep, Nicole Kidman and Oprah Winfrey, and was a finalist for the WGA/FilmNation Fellowship. She directed and co-wrote a short film, En Route, that screened at many festivals including Soho International, Vermont Music and Film, and Adirondack. Pamela is also an award-winning visual artist and has exhibited extensively. She holds a BFA from the Hartford Art School.
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Radhika Sharma
Radhika Sharma is the author of the novel Mangoes for Monkeys and the short story collection Parikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in the Santa Clara Review and The Fanzine, and her essays, reviews, and articles have appeared in the San Jose Mercury News, the San Francisco Chronicle, the Times of India, the Economic Times, Pacific Time, Perspectives, In the Fray, and the Forum on KQED FM, among many others. She is a former assistant fiction editor for 14Hills literary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.
Read more
Serrana Laure Gay
Serrana Laure Gay has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.
Read moreAngela Lam
Angela Lam
is the author of the memoir Red Eggs and Good Luck (She Writes Press), the novels Friends First, The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), and Blood Moon Rising (Eternal Press), and the short story collections Water Baby and Other Stories (Gross Productions), and The Human Act and Other Stories (All Things That Matter Press). Her nonfiction has appeared in The Sun, the San Jose Mercury News, SFGate, the Portland Book Review, and the Bohemian. She holds a BA from Sonoma State University.
Cab Tran
Cab Tran
has published short fiction in Vagabond: Bulgaria's English Monthly, The Oleander Review, and Black Warrior Review, among many others. He is the co-editor and translator of the anthology The Colors of April (Three Rooms Press), by and about the Vietnamese diaspora in the wake of the Vietnam War, and he is the translator, with Quan M. Ha, of the short-story collection Hanoi at Midnight by Bao Ninh (Texas Tech University Press). He co-founded the literary magazine Cedilla, has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.
Cristina Fernandez
Cristina Fernandez
is the author of the novel How to Date a Superhero (And Not Die Trying) (Katherine Tegan Books/HarperCollins). She has worked as a reporter for TIME for Kids, as a scriptreader for Safehouse Pictures, and for the literary agencies Dystel, Goderich, & Bourret, and Foundry Literary & Media. She holds a BA in Writing from Johns Hopkins University.
Cullen Thomas
Cullen Thomas
is the author of the memoir Brother One Cell (Viking). His nonfiction has appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He has appeared on CNN, MSNBC, and the National Geographic channel and has taught at NYU. He holds a BA from Binghamton University.
John Oliver Hodges
John Oliver Hodges
is the author of the novel Quizzleboon (Perpetual Motion Machine Press), the short story collection The Love Box (Livingston Press), and the novella War of the Crazies (Main Street Rag). His short stories have appeared in appeared in Southern Cultures Magazine, American Short Fiction, New World Writing, and Texas Review. He has taught at Florida State University, the University of Mississippi, and the Sewanee Young Writers’ Conference. He holds a BA and an MA in Creative Writing from Florida State University, and an MFA in Creative Writing from the University of Mississippi.
Omari Chancellor
Omari Chancellor
has published short fiction in Vol. 1 Brooklyn, Brainwxsh, Still Life, and Soft Punk. He wrote and directed the short films The One, which appeared in several film festivals including the Ohio Valley Film Festival, and SwimLessons for The Believer magazine. He has taught at Spotlight Kids NY and the 52nd Street Project. He holds a BFA from Roanoke College and an MFA from New York University.
Pamela Harris
Pamela Harris
has had TV pilots packaged with 20th Century Fox and others, and served as a staff writer for Life on the Line, a one-hour drama (Oxygen Network). She wrote the feature screenplay Joyville, which was selected for the Writers Lab, a program sponsored by Meryl Streep, Nicole Kidman and Oprah Winfrey, and was a finalist for the WGA/FilmNation Fellowship. She directed and co-wrote a short film, En Route, that screened at many festivals including Soho International, Vermont Music and Film, and Adirondack. Pamela is also an award-winning visual artist and has exhibited extensively. She holds a BFA from the Hartford Art School.
Radhika Sharma
Radhika Sharma
is the author of the novel Mangoes for Monkeys and the short story collection Parikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in the Santa Clara Review and The Fanzine, and her essays, reviews, and articles have appeared in the San Jose Mercury News, the San Francisco Chronicle, the Times of India, the Economic Times, Pacific Time, Perspectives, In the Fray, and the Forum on KQED FM, among many others. She is a former assistant fiction editor for 14Hills literary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.
Serrana Laure Gay
Serrana Laure Gay
has published short stories in Sinister Wisdom, the North Dakota Quarterly, X-R-A-Y Literary Magazine, Red Noise Collective, Big Bend Literary Magazine, Silver Rose Magazine, and Prometheus Dreaming. She is the author of the illustrated book Fatty Fatty No Friends (Mind the Art Entertainment), adapted from her operetta of the same name, which was winner of the Best of Fest prize at the New York Musical Theatre Festival. Her plays have been workshopped or appeared at the New York International Fringe Festival, Joe’s Pub at the Public Theatre, the National Opera Center, the Frigid NY theatre festival, the HERE Arts Center, and Feinstein’s 54 Below. She has taught at the Sarah Lawrence College Writing Institute. She holds a BFA from Ithaca College and an MFA in Writing from Sarah Lawrence College.
Related Courses
Fiction Writing I
The fascinating craft of fiction—literary, commercial, or genre.
Memoir Writing I
True stories about aspects of the writer’s life, whether essay or book-length.
Creative Nonfiction 101
A great entry point for the creative forms of nonfiction—memoir, essay, feature articles, reviews, etc.
