If you test positive for Covid – Don’t come to class until you test negative. But let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you show Covid symptoms OR If you have been exposed to someone with Covid – Don’t come to class for at least 5 days after showing symptoms or exposure, and then take a test to confirm that you are negative. Let your teacher know and we’ll work to give you access to your missed classes via Zoom.
If you have any questions about this, you may call (212-974-8377) or email us ([email protected]).
Plot 1: Mechanics
Plot 1: Mechanics is an Intensive, meaning it happens in a short time span (1 day in NYC, or 2 days on Zoom, or 3 weeks Online). The course includes a mixture of lectures and exercises. It’s open to writers of any level. Farther down, you can view a syllabus for this course.
If you feel you’re solid with the basics of plot, you may go straight to Plot 2. If you’re in doubt about this, start with Plot 1; it will be valuable even if some of it is review.
Plot is the art of drawing them in, then delivering a sequence of events that grows progressively more interesting and culminates with a killer ending. A good plot is what most readers and audiences crave…and what most writers fear.
Whether you’re working on something true or completely made-up, short or long, we’ll show you how to craft a plot that keeps them rapt from beginning to middle to end.
Plot 1 teaches the basic mechanics of plotting, the things you can’t get far without, such as: desire driving the story, the beginning/middle/end structure, cause and effect, how characters determine which way the plot goes.
Plot 2 teaches the crafty machinations required for expert plotting: the techniques for twisting and turning, intriguing and dazzling, and, most of all, keeping people hooked until the breathtaking finish.
If plot feels elusive to you, this course will make it feel achievable.
Olivia McGill
learning content writer
Notes
This is a cross-genre course, applicable to any kind of writing that contains storytelling, including nonfiction.
Upcoming Classes
NYC COVID Info
Price
Registration fee $25, paid once per term
3-Week
-
Online
Anytime, week-long sessions
Tuition: $175
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One-on-One
Tuition: $495
Syllabus
This course gives an overview of the central mechanics of plotting, in any genre. Course components:
Lectures
Writing exercises
Week 1
The Search for Treasure: Plot introduced. Types of Plot—simple, complex, character-driven, plot-driven. Premise. Desire—goal, deeper desire, external obstacles, internal obstacles.
Week 2
Structure and Steps: Structure for simple and complex plots. Dividing a story into sections. Positive and negative swings. Cause and effect.
Week 3
Adding Depth: Character choice and change. Theme. Subplots. Plot strands. Point of view.
Each week students are provided with case studies of great stories, as well as notes on the working out of a from-scratch plot.
Note: Content may vary among individual classes.
Teachers
Lisa Namdar Kaufman
Lisa Namdar Kaufman wrote the animated feature film Baldy Heights (Bleiberg Entertainment/Pitchipoy Productions), and the TV drama In the Prime of Her Life, which aired on Israel’s public broadcasting station. She has written short films that have been shown at festivals around the world, from the Cannes International Film Festival to the Hong Kong Jewish Film Festival. She has served as story editor on the documentary film 8000 Paper Clips and TV shows in development with Sony, ABC, and Happy Madison. She has taught at Columbia University and the New York Independent Film Workshop. She holds a BA from Brown University and an MFA in Film from Columbia University.
Read moreLisa Namdar Kaufman
Lisa Namdar Kaufman
wrote the animated feature film Baldy Heights (Bleiberg Entertainment/Pitchipoy Productions), and the TV drama In the Prime of Her Life, which aired on Israel’s public broadcasting station. She has written short films that have been shown at festivals around the world, from the Cannes International Film Festival to the Hong Kong Jewish Film Festival. She has served as story editor on the documentary film 8000 Paper Clips and TV shows in development with Sony, ABC, and Happy Madison. She has taught at Columbia University and the New York Independent Film Workshop. She holds a BA from Brown University and an MFA in Film from Columbia University.
