Just Write
Just Write is a six-week class, where writers come together to…just write. It’s open to writers of all levels.
Do you find it hard to get yourself in a chair to write for a good stretch of time? If so, you’re not alone. Oh, no.
That’s the beauty of Just Write. You gather with a group of writers once a week for three hours and you…just write. You work on a project of your choosing, which can be any type of writing—novel, script, memoir, stand-up routine, etc.
A teacher is present, offering brief features: words of wisdom, discussion, intentions for the coming week. You can participate or just keep writing.
Whether you’re charging through a rough draft or refining your work, you’ll find this a valuable time to get something done.
A safe space to embark on writing you may have struggled with.
Elizabeth Arlen
ESL teacher
Notes
This is a cross-genre course, applicable to any kind of writing.
Upcoming Classes
Price
Registration fee $25, paid once per term
6-Week
-
NYC
In-person
Tuition: $210
Syllabus
There’s no syllabus as this is mostly just a place where writers come together to just write. But the sessions are framed with inspirational thoughts from the teacher, free-flowing discussion, and thinking of intentions for the coming week.
Teachers
K Hank Jost
K Hank Jost is the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.
Read moreis the editor of A Common Well Journal. He is also the author of the novel MadStone and the novel-in-stories Deselections (both Whiskey Tit Books). His short stories and poems have appeared in Hobart, Vol. 1 Brooklyn, the Burning Palace, X-R-A-Y Lit Mag, and BULL, among others, and he is a regular contributor to the New Haven Independent. He has taught for the Brooklyn Center for Theatre Research.
